Ariana Grande attended the “Wicked: For Good” premiere in New York City on November 17, 2025, wearing a custom Schiaparelli gown with Christian Louboutin pumps and Swarovski earrings — a red carpet fashion moment of theatrical elegance.
At the New York premiere of “Wicked: For Good” , held on November 17, 2025 , Ariana Grande delivered a moment of red carpet arrivals-coded fairytale grandeur reframed as celebrity look-coded silhouette clarity . She wore a custom Schiaparelli strapless gown , featuring a structured black bodice and voluminous blush-pink tulle skirt , styled with Christian Louboutin Cassia lace-up pumps and Swarovski pear-shaped earrings — a look that fused designer outfit-coded theatrical softness with fashion moment-coded sculptural precision .
The art deco-inspired backdrop and floral base amplified the editorial tension between fantasy-coded atmosphere and haute couture-coded restraint. Grande’s poised stance and visible tattoos added a layer of modern edge to the otherwise romantic silhouette, situating her within a visual narrative of celebrity dresses-coded tonal immersion , where fashion becomes a medium of mood, message, and iconic appearance-coded resonance.
This appearance aligns with the current mood of tulle-coded volume reframed for red carpet storytelling . The strapless neckline evokes couture dress-coded timelessness, while the dramatic skirt situates Grande within the broader narrative of gown-coded silhouette fluency , where garments express both presence and proportion.
In the context of the “Wicked” franchise — a celebration of transformation, theatricality, and legacy — the look signals a shift toward fashion moment-coded editorial realism , where elegance is defined by contrast, composition, and mood. The pairing of Schiaparelli’s sculptural tailoring with Louboutin’s lace-up detailing reflects a growing trend toward best dressed-coded hybrid styling , where classic silhouettes are reimagined through modern punctuation.
Cailee Spaeny wore a black lace dress at the BAFTA screening and Q&A for Knives Out in Los Angeles, November 2025.
At the BAFTA screening and Q&A for “Wake Up Dead Man: A Knives Out Mystery” , held in Los Angeles on November 18, 2025 , Cailee Spaeny opted for a look that balanced press event style-coded elegance with panel look-coded tonal restraint . Seated on a director’s chair and holding a BAFTA-branded microphone, she wore a black lace dress with semi-sheer sleeves , a modest neckline , and delicate floral patterning . The styling was minimal: no visible necklace, understated earrings, and natural makeup — a deliberate choice that allowed the texture of the lace to carry the visual weight.
Sarah Hyland attended the Broadway opening night of “Chess” in New York City on November 16, 2025, wearing a black velvet blazer, sheer stockings, and hoop earrings — a media event-coded moment of tonal clarity.
At the Broadway opening night of “Chess: The Musical” , held in New York City on November 16, 2025 , Sarah Hyland delivered a moment of celebrity event look-coded monochrome sharpness reframed as public appearance-coded editorial fluency . She wore a black velvet blazer as a dress , paired with sheer black stockings and pointed black heels , styled with oversized round glasses, hoop earrings , and a slicked-back hairstyle — a look that fused press event style-coded silhouette clarity with front row fashion-coded tonal restraint .
The pink-lettered backdrop and sponsor logos (Capital One Entertainment, Mastercard) amplified the editorial tension between theatrical branding and fashion-coded precision. Hyland’s confident pose and minimalist styling situated her within a visual narrative of media event-coded sculptural discipline , where fashion becomes a medium of mood, message, and red carpet-coded resonance.
