Ariana Grande wore a Thom Browne custom silver and blue embroidered gown with sheer sleeves at the Wicked: For Good Singapore premiere, November 2025.
On November 13, 2025 , Ariana Grande attended the Asia-Pacific premiere of Wicked: For Good in Singapore , wearing a look that emphasized red carpet-coded theatricality reframed as couture spectacle . She appeared in a Thom Browne custom gown , an off-the-shoulder silhouette rendered in silver and blue embroidery , with sheer sleeves and a voluminous skirt adorned with intricate detailing.
Her styling included henna designs on her hands and statement earrings, situating the ensemble within haute couture-coded cultural fusion . The gown’s architectural presence, paired with Grande’s poised stance, underscored the premiere’s significance as both cinematic and sartorial.
Mckenna Grace wore a striped yellow and red tee with black mini skirt, fishnet stockings, and glitter shoes on the Teen Vogue November 2025 cover.
For Teen Vogue ’s New Hollywood November 2025 issue , Mckenna Grace is photographed by Angalis Field in a look that emphasizes celebrity photoshoot-coded youthfulness reframed as editorial spectacle . Against a solid light blue backdrop, she wears a yellow and red striped T-shirt with bold lettering across the chest , paired with a black mini skirt and black fishnet stockings .
Her footwear — red glitter shoes with bows — injects playful punctuation, while a headband emblazoned with “HOLLYWOOD” in white capital letters situates the ensemble within styled shoot-coded irony . Long, straight blonde hair frames her face, reinforcing the studio portrait’s emphasis on clarity and direct gaze.
Ariana Grande wore a vintage 1950s couture black pleated tulle gown with floral appliqués and Christian Louboutin Cassia lace-up pumps in London, November 2025.
On November 10, 2025 , Ariana Grande was seen in London following the Wicked: For Good premiere, wearing a look that emphasized event appearance-coded theatricality reframed as couture spectacle . She stepped out in a vintage 1950s couture strapless gown crafted from black pleated tulle , adorned with large white floral appliqués across the voluminous skirt and sheer neckline.
The ensemble was paired with Christian Louboutin Cassia lace-up pumps , grounding the gown’s dramatic flair with modern footwear precision. Her styling balanced the gown’s historical resonance with contemporary edge, situating the frame within public appearance-coded grandeur .
This look aligns with the current mood of archival couture revival reframed for modern celebrity appearances . The gown’s floral appliqués evoke mid-century craftsmanship, while the pleated tulle silhouette situates Grande within the broader narrative of front row fashion-coded spectacle .
Her choice of vintage couture underscores a deliberate embrace of fashion history, signaling that contemporary event dressing thrives not only on novelty but also on heritage-coded resonance . Grande’s presence after the Wicked premiere situates her within the cultural conversation of theatricality and nostalgia, positioning her as both performer and fashion archivist.
