Ariana Grande posed in a red satin corset and layered Swarovski heart jewelry for the Valentine’s Day 2026 collection campaign.
For the Swarovski Valentine’s Day 2026 collection , Ariana Grande becomes equal parts muse and mirror—reflecting the hyper‑romance the brand leans into this season. Against a lacquered red background, she wears a crimson satin corset top with a sculpted neckline, her hair slicked back into a high ponytail that arcs behind her like punctuation. Grande’s makeup carries her signature: luminous skin, cut‑crease eyes, and a sharp cherry lip that syncs perfectly with the setting’s pulse.
What truly defines the image is the jewelry—a maximalist layering of Swarovski heart‑shaped charms , pink and ruby tones scattering across gold chains. Around her neck, wrists, and ears, the collection becomes its own constellation: light‑catching, sentimental, even a bit ironic in its commitment to sweetness. She clutches a large lilac heart prop , matte against the sheen of her own glossed aesthetic, the contrast between pink tenderness and red intensity creating quiet friction.
Ruth Wilson wore a floor‑length gray double‑breasted coat with black velvet lapels and heels at the Christian Dior Haute Couture Show in Paris January 2026.
On January 26, 2026 , during Paris Fashion Week , Ruth Wilson arrived at the Christian Dior Haute Couture Spring/Summer 2026 show in a look that felt both severe and elegant. She wore a long gray double‑breasted coat , cut cleanly to the ankles, shoulders firm and straight. A pair of black velvet lapels broke the monochrome quietly, absorbing light in contrast to the wool’s muted texture.
Wilson’s stance was unflinching, further sharpened by black cross‑strap heels and dark sunglasses that framed her expression in deliberate neutrality. The outfit avoided playfulness entirely—it was all line and intent. Even her signature red hair, softly waved, carried into the tone of the ensemble: structured, minimal, impossible to misinterpret. The setting’s marble backdrop reflected the same precision, keeping focus on the simplicity of Dior’s tailoring over embellishment.
Claire Foy wore a belted brown leather trench coat and black Chanel Spring 2026 pumps at the Chanel Haute Couture Show in Paris January 2026.
On January 27, 2026 , at the Chanel Haute Couture Spring/Summer 2026 presentation in Paris, Claire Foy arrived with composure that felt both grounded and fierce. She wore a brown leather trench coat dress , cut below the knee and cinched at the waist with a matching belt. The coat’s polished finish and sharp lapels gave it armor‑like confidence, softened only by the rolled sleeves that hinted at ease beneath the precision. Beneath it, a black turtleneck layer peeked subtly at the collar.
Her accessories stayed strictly within Chanel’s universe— Chanel Spring 2026 pumps in classic black and sheer black tights that pulled the line of the look into clarity. The outfit was built around texture rather than color, its quiet interplay between matte and gloss giving it dimension without embellishment. Hair parted neatly and pulled back, her makeup understated—rosy tones, clean focus on eyes.
This was no attempt at attention; it was control through stillness. The front row fashion crowd often leans toward exaggeration, but Foy’s leather look stood out for being almost pragmatic. Practical even—if luxury can ever be that.
