Ariana Greenblatt stars in L’Oréal Paris’ 2026 campaign with radiant skin, soft glam makeup, and a natural beauty look.
In the soft-focus glow of L’Oréal Paris’s 2026 beauty campaign, Ariana Greenblatt brings a kind of gentleness that doesn’t disappear under the light. No shimmer explosions. No exaggerated color blocks. Just balance—clean lines, modern texture, muted tone.
Her makeup look draws you in slowly: feathered brows , diffused rose-mauve lips with a blurred edge like she’d just smiled in them, and lashes curled but not stiff. The skin is luminous —dewy but not glassy—with blush sitting right in that space between warmth and youth. No contour trenches. Just natural shadow and light.
Hair is styled in soft layers falling just below the shoulder, with a touch of face-framing bend, nothing forced. A classic side part softens everything. She’s wearing a deep black blazer , but honestly, the jacket could be made of fog—you’re not really looking at clothes here. What hits is her stare. There’s a steadiness to it. Nothing loud, still all presence.
In a sea of cookie-cutter “glam moments,” this is something different. It feels like a reminder that beauty doesn’t always need to arrive screaming.
Emma Raducanu defeated Greet Minnen in the first round of the Winners Open in Cluj-Napoca, Romania, on February 2, 2026.
In Cluj-Napoca on February 2nd, 2026, Emma Raducanu stepped onto the court like she had no intention of easing into anything. First round at the Winners Open, and her footwork said “quarterfinal” from the first serve. Opponent: Belgium’s Greet Minnen. Outcome: clean, efficient, quietly intense.
Visually, the look was sharp. Color-blocked tennis dress —mostly powder blue, with black and neon yellow detailing adding slices of contrast through the silhouette. It flared lightly with movement but held close at the zippered neckline, keeping it modern, athletic, and sharp. Her Nike shoes , in white with coral soles, padded each pivot precisely—no wasted motion.
Hair was tied back into an effortless mid-height pony. No jewelry. No dramatic sleeves or statement logos. Just form and function. That’s always been part of her off-court appeal too —clean lines, high performance. The look fits the player, and the moment.
And that forehand? Snappy. Aggressive. Ready. This wasn’t nostalgia Raducanu—it was current form, current drive, and completely in the now.
Jessica Simpson wore a black lace halter dress with Wolford tights and Saint Laurent heels to a Grammy after party in Los Angeles on February 1.
On February 1st, 2026, Jessica Simpson arrived at a Grammy after party in Los Angeles in a look that felt less throwback and more throwdown. Black on black, texture on texture. The mood: unapologetically extra.
Her look was built around the Christian Siriano Fall 2024 halter dress , done up in dense black lace with a dangerously high slit and visible sheerness at the bodice and skirt. Over that? A full-length Ralph Lauren Emiliano lamb-shearling and ostrich fur coat —glossy, oversized, part street armor, part diva heritage. Tucked in her hand: the Loeffler Randall Zelda Feather Clutch , which practically melted into the coat from all the fuzz and plume-on-plume drama.
The footwear? Towering black Saint Laurent Janis suede pumps that added inches and intent. Wolford Individual 10 tights in Admiral kept the legs polished but sheer—just enough coverage to maintain illusion while still letting skin do most of the talking. Long, honey-toned waves fell over one shoulder, while in the other hand, she clutched her coat like someone about to steal the night—and knew she’d get away with it.
This isn’t just a party outfit. It’s full black-tie body armor. One that leans into glam with a wink and a raised heel. She looked like the invitation said “formal,” and she misread it as “danger.”
