Ashley Benson wore a gray Zara gabardine trench coat and shiny kitten-heel boots at the Los Angeles premiere of The Chronology of Water 2026.
At the Los Angeles premiere of The Chronology of Water on January 8 2026, Ashley Benson embraced subtle drama in a full gray look that didn’t lean on shine or volume. She wore a long Zara Gabardina Trench Coat , cinched loosely at the waist, its soft fabric giving off a muted metallic sheen under flash. Beneath it, a structured gray bodice peeked through just enough to show precision beneath the ease.
Mia Goth wore a black Calvin Klein off-shoulder midi dress with Aquazzura sandals and retro Khaite x Oliver Peoples sunglasses at the AFI Awards 2026.
At the AFI Awards at the Four Seasons Hotel Los Angeles at Beverly Hills on January 9 2026, Mia Goth arrived in a look that communicated calm precision. Her black Calvin Klein Collection Bonny Wool and Linen-Blend Midi Dress , cut off the shoulders with subtle structure through the bust, created an hourglass frame without overemphasis. The fabric, matte and dense, carried quiet weight against the red carpet light.
Paired with minimalist Aquazzura So Nude Sandals and angular Khaite x Oliver Peoples 1968C Sunglasses , the ensemble felt almost cinematic — a nod to mid-century ease reimagined in muted sharpness. Her hair, straight and sleek, was pulled back by a wide black headband. Makeup leaned toward porcelain: clean skin, pale pink lip, no excess shimmer. It was a look that didn’t perform but rather existed on steady terms with itself.
Some call this minimalism; others, discipline. Mia Goth wears restraint like a signature — one clean line, flawlessly uninterrupted.
Marisa Abela wore a tailored black power suit with wide leg trousers and pointed heels at the Industry Season 4 Screening in New York 2026.
At the Industry Season 4 screening at Regal Union Square in New York City on January 8 2026, Marisa Abela showed how the simplest pieces can still define presence. She wore a black fitted suit – double‑breasted jacket with a plunging neckline, balanced by relaxed, wide‑leg trousers. No shirt, no accessories crowding the space, just confidence framed in tailoring. The wool looked firm but lived‑in, matte under the press lights.
