Ashley Moore moves through Indah Clothing’s January 2026 “Age of Aquarius” collection, caught between beach ease and tropical edge.
In Indah Clothing’s January 2026 “Age of Aquarius” collection, Ashley Moore is framed in shifting moods. On the beach, she sits in a green chair, striped bikini, drink in hand, curls catching sunlight. Waves slide in quietly behind her. It’s casual, almost careless, but the kind of careless that feels deliberate.
Then the deck. A black one-shoulder dress, brown sandals, bracelets stacked. Hammock sways nearby, thatched roof above, ocean stretching out. The look is sharper, but softened by the tropical air.
Another frame leans into color. Patterned bikini, arms raised, bracelets glinting, pool water reflecting sky. The background is lush, green, ocean beyond. It’s vibrant, but not loud — more like a pause in the middle of a day.
The last shot folds it together. White bandeau top, brown wrap detail, long skirt with bold abstract print. Small handbag in hand, sunset light behind palm trees. It’s the most composed of the set, but still grounded in the same tropical ease.
Together, the spread doesn’t flatten her. It lets her shift. Beach chair, deck edge, poolside, sunset skirt. Indah’s “Age of Aquarius” doesn’t chase one image. It lets Ashley be many.
Nessa Barrett wore a sheer black lace dress and pointed heels to the Warner Music Grammy Party in Los Angeles on January 29, 2026.
At the Warner Music Grammy Party in Los Angeles on January 29, Nessa Barrett showed up in something that felt half-witchy, half DIY-punk, letting shadowy textures and skin do the heavy lifting. The dress—if we’re still calling it that—was a black sheer lace slip , asymmetrical and textured, with flashes of crochet and raw edges gathered along the hem. You could see her legs. That wasn’t the point.
The neckline dropped deep—a plunge with thick, black eyelet trim stitched in loose ovals. More decorative than functional, but holding shape. No bra. Tattoos sticking out right where the lace stopped. The straps fell loosely over her shoulders in mismatched angles. Nothing about the construction was clean, but it worked because it wasn’t pretending.
Barrett wore her hair down in soft waves, parted off-center, flipping casual. Her shoes: pointed black heels , classic patent texture that glinted with the camera lights but didn’t interrupt the mood. Fingertips ringed in silver and black polish. Bare legs. Tattoos and hair doing half the styling.
This wasn’t about polish or trend. It was mood. Barely a dress, barely styled— but something about that mess made it magnetically sure of itself.
Becky G wore a black one-shoulder slit gown with safety pin details at the 2026 MusiCares Person of the Year gala honoring Mariah Carey.
At the 2026 MusiCares Person of the Year tribute to Mariah Carey, held January 30 in Los Angeles, Becky G skipped the frills and came ready for a clean hit of visual impact—classic fabric, classic cut, sharp tailoring, sharper styling. The foundation was a black, one-shoulder floor-length gown , cut close through the torso and pooled at the hem with a barely-there sweep. Silky but not slippery, matte but not dead.
What gave it edge? A pair of silver safety pins , one at the bust and one gripping the side slit high up on her thigh—half-punk, half-throwback Versace. Enough skin shown to make the silhouette legible as body-conscious, but not desperate. The dress clung with certainty, not struggle.
Her hair was parted cleanly down the middle, styled in full, glassy lengths—the kind you don’t touch once it’s brushed. Absent neckline jewelry kept the profile severe, but she stacked silver rings across her fingers like punctuation. Black platform peep-toe stilettos brought height, bite, and balance.
This wasn’t a maximalist red carpet fashion moment—no sequins, no train, no bleeding trend. It was about one garment, two pins, and the confidence to let a sharp slit carry the rest.
