Ashtin Earle’s leather moment at the VMAs was pure power play—tan tones, lace-up drama, and gold heels that whispered rock goddess with a red carpet passport.
At the 2025 MTV Video Music Awards in New York, Ashtin Earle didn’t just walk the red carpet—she carved out her own lane. In a sea of sequins and sheer panels, Earle opted for something far more tactile: a tan leather dress that fused biker grit with runway polish.
The dress, sleeveless and cut to mid-calf, featured a lace-up front that added texture and tension. Button details along the side gave it a tailored edge, while the fitted silhouette hugged her frame with precision. The leather itself—likely a soft, treated hide—had a subtle sheen that caught the light without veering into gloss. It was a look that felt sculptural, not stiff.
She paired the dress with gold open-toe heels, a choice that elevated the earthy palette and added a flash of glamour. Jewelry was minimal, letting the dress’s hardware do the talking. Her pose—confident, centered, with a slight lean—matched the mood: assertive, but not aggressive.
Hair was styled in soft waves, cascading over the shoulders in a way that softened the leather’s edge. Makeup leaned dramatic: bold eyeliner, sculpted cheeks, and a nude lip that balanced the look’s intensity. The backdrop—logos from CBS, MTV, Paramount+, and a stylized zebra pattern—reinforced the media circus energy, but Earle’s look cut through the noise.
This is the kind of red carpet fashion that doesn’t chase trends—it sets tone. Earle’s ensemble felt like a nod to early 2000s pop-punk couture, reimagined for a post-pandemic audience hungry for tactile luxury and unapologetic silhouettes.
Alix Earle’s red carpet moment was all edge and economy—a Tom Ford mini with the precision of a scalpel, paired with patent defiance and a no-nonsense stare.
There’s something deliciously confrontational about Alix Earle’s appearance at the 2025 MTV Video Music Awards in New York—like she’s daring the room to blink first. While others leaned into theatrics, Earle sliced through the noise with a look that felt more editorial than performative.
Let’s start with the dress: a custom mini adaptation of Tom Ford’s sleeveless round-neck day dress. In stark white, the fabric held a subtle sheen—likely silk crepe or a structured viscose blend—that caught the camera flash without ever veering into bridal territory. The cut was surgical: clean lines, zero embellishment, and a hem that flirted with scandal but stayed firmly in the realm of taste. Ford’s signature restraint was on full display, proving once again that minimalism, when done right, can be the loudest statement in the room.
On her feet: Paris Texas Lidia Patent Leather Slingback Pumps in black, a choice that grounded the look with a touch of urban severity. The high-shine finish echoed the dress’s polish, while the slingback silhouette added just enough retro flirtation to keep things interesting. No jewelry, no bag—just the shoes and the stare.
Earle’s pose was pure power: one leg forward, shoulders squared, chin tilted with intent. The lighting at the VMAs red carpet—harsh, unforgiving, paparazzi-grade—only amplified the starkness of her ensemble. She didn’t soften it. She leaned in.
Hair was pulled back into a sleek, low bun—no flyaways, no volume, just control. Makeup followed suit: matte skin, a neutral lip, and brows that looked brushed but not fussed. If there was a theme here, it was discipline.
Laufey’s Everlane shoot is a quiet rebellion—grey tailoring, schoolgirl socks, and a minimalist mood that whispers luxury without ever raising its voice.
Laufey has always been a master of restraint. At the 2025 Everlane photoshoot, she didn’t lean into spectacle—she leaned into silhouette. The Icelandic-Chinese musician, known for her genre-blurring sound and vintage sensibility, brought that same duality to fashion: classic, but never predictable.
The look? A grey tailored blazer, styled as a dress. The fabric reads like a brushed wool blend—structured but soft, with just enough weight to hold its shape without feeling stiff. The cut is clean and boxy, with a subtle cinch at the waist that nods to femininity without surrendering to it. It’s the kind of piece that could live in a minimalist’s capsule wardrobe or a fashion archivist’s dream closet.
But Laufey doesn’t stop at tailoring. She pairs the blazer with white knee-high socks—crisp, collegiate, and slightly ironic—and black Mary Jane shoes that add a vintage wink. The accessories are minimal, if present at all. No jewelry, no bag, no distractions. Just pure styling intent.
