Audrina Patridge wore a hot-pink sequin mini dress and nude heels at the Infinite Icon premiere in Los Angeles on January 20 2026.
At the Infinite Icon: A Visual Memoir Los Angeles premiere, Audrina Patridge turned up in a dress that caught every bit of light in the room. The mini was bold pink–somewhere between bubblegum and neon–with tight, iridescent sequins stitched edge to edge. Long sleeves softened the cut’s drama, though the plunging neckline and small side cutouts gave it that late-2000s callback she’s always embodied so well.
Her hair, loose and sunkissed brown, settled easily over one shoulder while matching nude heels stretched her frame without distracting from the sparkle. The purse? A small gray clutch, cool contrast to all that pink. The tone of her look felt straightforward — not costume, not commentary — just the kind of glamour that works best when the wearer is obviously having fun in it.
Kaia Gerber appears in Harper’s Bazaar USA February 2026, photographed in multiple looks that highlight bold textures, layered contrasts, and confident rhythm.
February 2026. Kaia Gerber on the cover, lace dress white, jacket black leather draped, stockings thigh-high, heels pointed. Hair loose, waves soft. The stance strong, one leg forward, the other back. The look feels sharp, reset energy, stripped of excess.
Another frame: mini dress white again, jacket beige oversized, stockings black, heels pointed. Cap leather, chain detail. The styling bold, almost street-leaning, but still editorial. The background dark, gradient fading.
Third frame: jacket black leather, jeans distressed, rips wide at knees. Tiara perched, torso bare, necklace visible. Pose assertive, legs spread, hands gripping belt. The look edgy, mixing high fashion with raw street grit.
Final frame: red dress shiny, off-shoulder, sleeve tied. Cap black leather again, chain glinting. Background pink, pose confident, hand on hip. The outfit bombastic, playful, almost rebellious.
Tanzyn Crawford wore a striped black gown with structured layers and tie details at the A Knight Of The Seven Kingdoms UK screening 2026.
At London’s BFI Southbank for the A Knight Of The Seven Kingdoms special screening, Tanzyn Crawford arrived in a look that carried quiet bravado. The dress, entirely black but restless with texture, balanced sleek tailoring with undone movement. Vertical striping framed the bodice — alternating matte and satin to catch light differently with every small tilt. Panels fell unevenly from the waist, loose enough to sway but sharp enough to feel intentional.
Around her neck she wrapped a matching striped tie scarf, knotted once and left to drape asymmetrically — part Edwardian gesture, part punk restraint. Her makeup kept the same discipline: clean eyeliner, a soft shimmer on the lid, and warm brown lipstick instead of the obvious red. Hair pulled tight back into a polished bun gave clarity to it all, the geometry of her outfit fully exposed.
