Aurora Ramazzotti wore a one‑shoulder light grey knit top with a flowing black sheer skirt at the Things Unsaid photocall in Milan 2026.
At the Cinema Colosseo in Milan, Aurora Ramazzotti arrived for the “Things Unsaid” photocall in a look that balanced softness and subtle defiance. She chose a light grey off‑shoulder knit sweater —slightly oversized, falling loosely across one side—to contrast a black sheer skirt layered over opaque shorts. The pairing was grounded with dark flat shoes tied neatly at the front, emphasizing comfort over theatricality. It’s a quiet kind of elegance, privately confident rather than loudly dressed, and one well within the sphere of current celebrity style .
In a cultural moment saturated with sculpted glamour and architectural gowns, this ensemble signals the return of the lived‑in red‑carpet ease. The cozy knit, tilted just enough to reveal a shoulder, carries a domestic intimacy repurposed for public appearance. It’s the kind of gesture that makes a photocall look less like a performance and more like stepping into everyday light—authentic, unrushed, even tender.
Beatrice Savignani wore a soft grey off‑shoulder sweater and a black sheer skirt layered over dark shorts at the Things Unsaid photocall in Milan 2026.
At the Cinema Colosseo in Milan, Beatrice Savignani appeared for the “Things Unsaid” photocall in a look that felt relaxed yet considered. She wore a light grey off‑shoulder knit sweater —its texture fluffy, almost domestic—tucked lightly into a black sheer skirt revealing dark lined shorts underneath. On her feet, practical black flat shoes lent an unfussy note, making the outfit more candid than calculated. It’s the kind of styling that fits naturally into the emerging wave of red carpet fashion that favors ease over excess.
There’s a quiet charm in this combination of softness and structure. The asymmetric neckline opens the look, giving a small gesture of confidence rather than seduction. The translucent fabric below provides motion and a sense of lightness, echoing how younger European stars increasingly approach formal events—with a shrug rather than a statement.
Nicole Kidman wore a black feather‑trimmed dress and monochrome heels at the Chanel Haute Couture Spring/Summer 2026 show during Paris Fashion Week.
At the Chanel Haute Couture Spring/Summer 2026 show in Paris, Nicole Kidman leaned into French restraint—with subversion beneath the surface. Her look was a sculpted black dress edged in feather‑trimmed details that circled the neckline and hemline like flickers of movement in still air. It’s a quietly unruly choice: a shape associated with ’60s evening glamour revived through texture and attitude.
The structured silhouette stops at the knee, balancing the flurry of feathers with the stability of sequined fabric . A small black bag , precise and minimal, rides against one palm, signaling control amid excess. She paired the outfit with black‑and‑white heels whose sharp V‑cut toe breaks up tradition—graphic, not demure. Straight hair, oversized sunglasses , and muted lips build a wall of cinematic calm around the movement of the dress.
