Ava and Leah Clements wore matching white and black jackets with red shoe graphics for Revice Denim’s November 2025 studio photoshoot.
Ava and Leah Clements appeared in a November 2025 studio photoshoot for Revice Denim , wearing a coordinated look that fused graphic minimalism with twin-coded edge .
Both wore white and black jackets with high collars and front zippers , each featuring a red high-heeled shoe graphic on the left shoulder . The jackets’ mirrored design created a visual echo — not just in silhouette, but in symbolism. The red shoe, bold and ironic, disrupted the monochrome with a wink of pop surrealism.
Ava paired hers with dark wide-leg pants and a white waistband , while Leah opted for faded blue denim jeans . The styling divergence — one structured, one relaxed — added dimensionality to the twin aesthetic, suggesting individuality within symmetry.
Set against a plain light gray backdrop, the image emphasized form and contrast. The absence of scenography made the jackets the protagonists, and the sisters the narrative.
Kesha wore a black cutout outfit with a dragon tattoo and green gemstone necklace on Cosmopolitan Australia’s December 2025 cover.
Kesha appeared on the December 2025 / January 2026 cover of Cosmopolitan Australia , wearing a look that fused rock mysticism with editorial precision .
Her outfit — a black garment with a dramatic side cutout — revealed a dragon tattoo , turning body art into a styling element. The cutout wasn’t just a design choice; it was a framing device, spotlighting ink as identity. She paired the look with a large green gemstone necklace , adding a mystical counterpoint to the stark black palette. Her long blonde hair with bangs softened the silhouette, while the wood-paneled backdrop grounded the composition in earthy contrast.
This wasn’t just a fashion moment — it was a visual thesis on transformation.
Across the accompanying editorial, Kesha reflects on her 15-year journey through pop stardom, spiritual exploration, and personal reclamation. Her latest album, Period , marks a turning point: a defiant, healing embrace of autonomy after a decade-long legal battle. The tour that followed — The Tits Out Tour — was envisioned as a “queer church,” a space of radical acceptance and divine self-expression. As she puts it, “Society has put shame on me because I’m boy crazy? F*ck that. I’m gonna write a song about it.”
The cover, then, becomes more than a portrait. It’s a declaration — of freedom, of fire, of faith.
Astrid Janer wore a dark blue jacket and skirt with black boots at the Las hijas de la Criada premiere in Madrid, November 2025.
Astrid Janer attended the Las hijas de la Criada premiere in Madrid on November 27, 2025 , wearing a look that fused retro gloss with graphic edge .
Her outfit featured a shiny dark blue jacket and matching skirt , paired with a white top bearing visible text , a black belt , and black knee-high boots . The jacket’s sheen and structured silhouette evoked 1980s power dressing, while the skirt’s matching tone created a cohesive visual block. The white top broke the monochrome with typographic contrast, adding a layer of casual rebellion.
The boots — tall, matte, and assertive — grounded the look in urban grit. Janer’s pose, centered on a red carpeted platform, framed the ensemble against a backdrop of vintage illustrations and Spanish signage, including “CONSERVAS LA DESLUMBRANTE,” which echoed the outfit’s theatricality.
