A vision in delicate pastels, Ava Max unveils an exquisitely beaded gown for the film festival, offering a moment of pure, fairytale-like glamour that’s light-years from her pop star persona.
At the 82nd Venice International Film Festival, Ava Max took to the red carpet for the premiere of Frankenstein in a look that was a complete departure from her usual pop-forward aesthetic. It was a surprising and refreshing turn, trading in her signature sharp lines and bold colors for a dreamy, ethereal gown that felt lifted straight from a fairytale.
The dress was a marvel of soft colors and meticulous detail. The bodice, a nude or light-pink sheer fabric, was intricately adorned with a swirling pattern of mint and silver beads, creating a delicate, almost floral motif that climbed up her torso. The full, floor-length skirt was composed of layered tiers of a translucent, pastel-pink tulle, each segment stitched with horizontal rows of the same shimmering beads. This textural repetition created a mesmerizing, almost cloud-like effect that gave the dress a sense of weightless volume as she moved. The straps, thin and also beaded, gave the dress a delicate finish, letting the ornate embellishments take center stage.
Ginevra Francesconi debuts a sheer, chocolate-hued gown at the Venice Film Festival, a look that perfectly balances romantic softness with a subtle, unexpected edge.
The Venice International Film Festival is a marathon of glamour, where each event offers a new opportunity for a compelling fashion moment. For the Kineo Prize red carpet, Ginevra Francesconi opted for a beautifully nuanced look that stood out by being both demure and daring. It was a study in contrasts—soft textures and strong lines, with a color palette that felt both rich and understated.
The Italian actress wore a gown in a stunning shade of warm brown that read like chocolate-mousse. The fabric was a delicate sheer organza, draped to create an off-the-shoulder neckline that revealed a structured corset bodice underneath. The corset provided a sharp, tailored contrast to the otherwise flowing and diaphanous nature of the dress. The skirt fell in soft, gathered pleats from the waist, extending to the floor and creating a sense of graceful movement.
Model Madisin Rian unveils a show-stopping, custom gown that slithers between vintage glamour and modern sensuality for the red carpet, a moment of pure whiplash chic.
The Venice International Film Festival is a breeding ground for fashion risk-takers, and Madisin Rian didn’t disappoint. Arriving for the premiere of Frankenstein , the model debuted a custom gown that was a beautiful paradox—an ethereal, serpent-like creation that felt both delicate and powerful. It was a look that fused the intricate beadwork of a vintage piece with the bold silhouette of a modern red carpet statement.
The dress was a marvel of craftsmanship. The fabric, a subtle sheer grey-green tulle, was a canvas for intricate embellishments. Thousands of tiny, shimmering beads and sequins were embroidered in a meandering, vine-like pattern that snaked across the length of the dress, giving it a textural richness that seemed to catch and refract the light with every movement. The silhouette was equally daring, featuring a plunging halter neckline that dipped dramatically to her navel, held together by a thin, nearly invisible string. The dress skimmed her body before falling into a graceful, floor-length skirt, creating a sleek, elongated line.
Rian kept her accessories bold yet minimal. A pair of large, circular hoop earrings in a deep metallic red provided a pop of unexpected color, a perfect contrast to the gown’s earthy tones. A simple, ornate ring completed the look, allowing the dress to remain the undisputed star. With her shaved head, she embraced a clean, powerful aesthetic, a brilliant choice that emphasized the elegant lines of her neck and shoulders. Her makeup was a study in warm tones—a soft smoky eye with a hint of shimmer and a glossy brown lip perfectly complemented the look’s earthy elegance.
