Ava Max traded the red carpet for Venetian waters—her bow-adorned ball gown and golden-hour drama turning a boat ride into a full-blown fashion opera.

There are entrances, and then there’s Ava Max arriving by boat in Venice. For her September 3rd photoshoot during the Venice Film Festival, Max didn’t just wear a gown—she staged a cinematic moment.

The look? A strapless, deep red satin ball gown with a fitted bodice and a voluminous skirt that billowed like a Renaissance curtain caught in a breeze. Bow details punctuated the skirt, adding a touch of playful femininity to an otherwise regal silhouette. The fabric—rich, glossy, and light-reactive—caught the sunset like a spotlight, turning every ripple of movement into a visual crescendo.

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Accessories were minimal but precise. A delicate necklace with dangling gems framed her collarbone, catching just enough light to echo the shimmer of the dress. No earrings, no clutch—just the gown, the water, and the moment.

In one image, Max stands against a striped Venetian railing, the sun setting behind her like a stage cue. In another, she’s mid-laugh on a water taxi, hand raised, platinum hair cascading over her shoulders. The juxtaposition of high fashion and public transport? Delicious. It’s the kind of contrast that defines modern celebrity photos – glamour in motion, not just posed perfection.

Halsey may not have had a film to promote in Venice, but she didn’t need one—fashion was clearly her headline act. Between a jaw-dropping arrival and a questionable premiere gown, she gave us two very different sides of red carpet Halsey.

Not one to shy away from a dramatic entrance, Halsey —ever the chameleon—stunned onlookers in Venice, arriving by boat in a shimmering Vivienne Westwood gown. It was a look that felt both classic and effortlessly modern, signaling a new chapter in the singer’s evolving style narrative.

The custom Vivienne Westwood Nova Cora Draped Gown , in a beautiful pale silver silk, was the main event. Its exquisite draped cowl neckline and off-the-shoulder silhouette created a soft, feminine contour, while the body-hugging cut highlighted her figure with a sense of fluid grace. The fabric itself seemed to catch the light with a liquid-like quality, making her look almost as if she had emerged from the canals themselves. It’s a classic Westwood silhouette, but stripped back to its purest form.

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For a look this refined, the styling had to be equally precise. She accessorized with a striking Brilliant Earth Infinite Icon Lab Diamond Choker Necklace that added a touch of minimalist glamour, drawing the eye up to her face. Her short, dark bob with a blunt fringe framed her face, giving the soft gown a sharp, editorial edge. This was complemented by a natural, almost dewy makeup look that highlighted her bold brows and subtle lip color, creating a perfect balance between high-drama fashion and understated beauty.

Halsey’s pose—relaxed, confident, and almost regal—perfectly captured the mood. She owned the space, whether lounging on the boat or standing poised on the dock, exuding a quiet confidence that was more impactful than any grand gesture. This entire ensemble serves as a masterclass in how to combine old-world glamour with a fresh, contemporary attitude, making it a perfect example of what makes celebrity fashion so compelling.

Julianne Hough dialed up the power play at the DWTS Season 34 reveal—her tailored noir ensemble a masterclass in red carpet utility with a dash of glam punk.

Julianne Hough knows how to command a stage—and a step-and-repeat. At the Dancing With The Stars Season 34 presentation in New York City, she arrived in a look that felt equal parts choreographer and provocateur.

Her outfit was a study in structured seduction: a sheer black top with a visible sweetheart neckline, tucked into high-waisted black shorts that hit just the right note between tailored and daring. A wide black belt with a gleaming gold buckle cinched the waist, adding a flash of polish and proportion. Draped over her shoulders, an oversized black blazer gave the ensemble its final punctuation—boardroom meets backstage.

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The styling was sharp, almost editorial. Large hoop earrings framed her face, while her short, sleek blonde hair added a modern edge—think Sharon Stone in Basic Instinct , but with a Gen Z twist.

Makeup leaned sculptural: contoured cheeks, a nude lip, and a smoky eye that echoed the outfit’s monochrome palette. The background—a purple wall with indistinct branding—offered contrast, but Hough’s look was the focal point.

In a moment where red carpet fashion often leans toward excess, Hough’s appearance felt refreshingly tactical. Every piece served a purpose. Every detail hit its mark.