Ava Max, never one to hold back, delivered an electrifying performance at the amfAR Gala Venezia 2025 (presented by World Gold Council), fusing pop anthems with a stage presence that captivated the Arsenale.
At the heart of the 2025 amfAR Gala Venezia, pop powerhouse Ava Max brought her signature high-energy performance to the historic Arsenale. Her appearance was less about a red-carpet moment and more about a dynamic showcase of stage presence and a fashion sensibility that perfectly complements her vibrant sound. This is where celebrity photos truly capture the essence of an artist in their element.
Ava Max commanded the stage in a look that balanced sleek minimalism with a touch of daring. She sported a crisp white cropped button-up shirt, its long sleeves contrasting with the abbreviated hemline that revealed her toned midriff. The shirt, with its sharp collar and tailored cuffs, offered a structured top half. Below, she wore high-waisted black trousers, cut with a relaxed, wide-leg silhouette that allowed for dynamic movement during her performance. In some moments, the shirt was fastened, giving a polished yet edgy vibe, while in others, it was open, revealing a black lace bralette that added a layer of sensual texture and a hint of rock-and-roll allure.
Rachel Zegler stunned fans at her Don’t Cry for Me Argentina vinyl signing in London on September 1, 2025, wearing a daring braless Alex Perry suit paired with Jimmy Choo accessories.
Rachel Zegler: A Braless Statement in Tailored Perfection
September 1, 2025, wasn’t just another signing event—it was a sartorial statement. At Rough Trade in West London, Rachel Zegler arrived to meet fans and promote the vinyl release of Don’t Cry for Me Argentina from her critically acclaimed West End run in Evita . But the real headline? A power suit stripped of its shirt, baring confidence and theatrical daring that echoed the role she’s been inhabiting for the past three months.
Let’s be clear: Zegler wasn’t simply dressed. She was costumed for life.
Outfit Focus: Alex Perry’s Sculptural Suit
The Alex Perry double-breasted blazer , oversized and sharply tailored, walked a fine line between masculine authority and feminine sensuality. Its muted grey tone—neither stormy nor warm, but somewhere in that cinematic in-between—provided the perfect stage for its most audacious element: the absence of a blouse.
Wide-legged Alex Perry trousers elongated her silhouette, pooling elegantly over black pointed stilettos. This was power dressing without apology, reminiscent of Bianca Jagger’s 1970s suiting but with a 2025 edge.
Her Jimmy Choo Diamond Crossbody Bag (£1,500) swung lightly at her side, polished hardware catching the September light, while sculptural Lucy Quartermaine rings punctuated the look with modernist detail.
Styling Cohesion: Minimal Distractions, Maximum Impact
Notice the restraint. No necklace competing with the deep plunge, no heavy embellishment to soften the sharp tailoring. Just loose, side-parted waves , a glossy espresso mane cascading with an undone ease, and barely-there makeup emphasizing luminous skin and a touch of natural lip color.
The absence of distraction made her choice louder. It was daring, deliberate, and theatrical. After all, Zegler is Eva Perón in Jamie Lloyd’s revival of Evita (which began previews on June 14, opened on July 1, and continues through September 6, 2025). Eva herself understood the power of fashion as political theatre—pearls, furs, and gowns as weapons. Zegler channels that same instinct, though in her own generation’s language: pared-back, braless, gender-fluid tailoring.
A Cultural Echo: The Braless Suit as Feminist Symbol
Let’s not mistake this for a mere gimmick. The braless suit has history—it emerged from the liberation of the 1970s, resurfaced in Helmut Newton’s 1990s imagery, and has been reinterpreted by designers like Saint Laurent and Alexander McQueen for decades. In 2025, worn by Zegler, it feels both archival and modern.
Is it groundbreaking? Perhaps not. But is it chic? Absolutely—and more importantly, it signals a shift. Young Hollywood is not afraid to strip down the trappings of femininity and lean into tailoring as armour, sensuality as control.
Rachel’s London Chapter
The vinyl signing itself—dedicated to Don’t Cry for Me Argentina —marked another milestone in Zegler’s London residency. She’s been living in the city since April 2025, rehearsing and performing Evita , which Variety praised for delivering “goosebumps” in her lead performance.
She hasn’t just been conquering the stage. Off-duty, Rachel has been photographed around London with her new boyfriend, dancer Nathan Louis-Fernand, whom she met during rehearsals. Their relationship, which became public over the summer, has given fans an unexpected glimpse of Zegler’s softer side. But on September 1, she was every inch the performer, reminding us that celebrity fashion isn’t just about looking good—it’s about storytelling.
The Takeaway
Rachel Zegler’s London signing look was more than a suit. It was theatre outside the theatre. And in an age where celebrity style is often overproduced and algorithmically calculated, her braless Alex Perry ensemble felt raw, dangerous, and—above all—real.
So, what do we learn? Sometimes, the boldest accessory is absence.
Get the Look: Braless Power Suit Edition
- The Oversized Blazer — Look for sharp tailoring in neutral tones. Alex Perry is the luxury route, but The Frankie Shop and Zara offer high-street options.
- Wide-Leg Trousers — Balance volume with clean cuts. Ensure proper drape and length.
- Pointed-Toe Heels — Black patent or satin pumps elongate and sharpen.
- Statement Mini-Bag — A crossbody with metallic hardware elevates any look. Jimmy Choo is aspirational; try Strathberry or Charles & Keith for attainable chic.
- Sculptural Jewelry — Rings with organic shapes or fluid lines add refinement without distraction.
🔗 Explore more daring celebrity style moments redefining power dressing.
Never one to shy from spectacle, Halsey fused futuristic sleekness with Old Hollywood glamour in their long-awaited (and frankly, stunning) arrival at the Venice Film Festival.
At the 82nd Venice International Film Festival, Halsey descended upon Hotel Excelsior, not just as a musician or actress, but as a walking testament to the power of a perfectly sculpted gown. The look, styled for the premiere of their film How to Shoot a Ghost , was a masterclass in modern femininity, proving that celebrity style can be both timeless and forward-thinking.
Halsey wore a Vivienne Westwood Nova Cora Draped Gown , a piece that seems to shimmer with a liquid-like quality. The fabric, a lustrous, dove-gray satin, draped effortlessly, creating a silhouette that was both structured and fluid. The off-the-shoulder neckline, a Westwood signature, exuded a certain quiet drama, while the cinched corset torso gave way to a gently pooling skirt, which Halsey held with a poised, almost regal, grace. It’s a dress that doesn’t shout; it whispers, and the effect is infinitely more powerful.
The entire look felt less like a costume and more like a second skin. Halsey’s sharp, choppy pixie cut, a hallmark of their recent style, provided a stark, rebellious contrast to the gowns classic lines. This tension between hard and soft was what made the look so compelling. The accessories were minimal yet impactful: a Brilliant Earth Infinite Icon Lab Diamond Choker Necklace added a subtle sparkle at the neckline, and a simple, dark-brown clutch provided a grounding element. The makeup was equally restrained, focusing on a clean, sculpted face and a bold, smoky eye that held the attention without competing with the rest of the outfit. This is the kind of celebrity fashion that signals confidence and a clear artistic vision.
