Ayo Edebiri brought crisp charm and tactile sophistication to the “After The Hunt” photocall—her white coat a quiet standout amid Venice’s cinematic frenzy.
There’s a kind of fashion that doesn’t need embellishment to make a statement—it relies on texture, tailoring, and presence. At the “After The Hunt” photocall during the 82nd Venice International Film Festival on August 29, 2025, Ayo Edebiri proved that minimalism, when done right, can be magnetic.
Edebiri wore a white textured coat that balanced structure with softness. The fabric, likely a bouclé or jacquard weave, added depth without overwhelming the silhouette. Large buttons punctuated the front, offering a subtle nod to mod-era outerwear, while the clean lines kept the look modern. Though the designer remains unconfirmed at press time, the piece echoed the quiet luxury codes of brands like Proenza Schouler or Emilia Wickstead.
In a season where celebrity photos are dominated by hyper-glam and archival drama, Edebiri’s look felt like a breath of fresh air. It nodded to classic Hollywood while embracing the new wave of tactile minimalism—where texture replaces sparkle and tailoring replaces theatrics.
Julia Roberts’ appearance at the 82nd Venice International Film Festival redefined red carpet elegance. Her custom Atelier Versace gown, a masterful blend of modern sophistication and classic Hollywood glamour, captivated audiences and fashion critics alike,
Julia Roberts’ appearance at the 82nd Venice International Film Festival redefined red carpet elegance. Her custom Atelier Versace gown, a masterful blend of modern sophistication and classic Hollywood glamour, captivated audiences and fashion critics alike, solidifying her status as a global style icon.
The first time I witnessed the sheer artistry of Dario Vitale’s vision for Atelier Versace, it was clear we were on the cusp of a powerful new era for the iconic house. Now, with Julia Roberts’ breathtaking appearance at the 82nd Venice International Film Festival on August 29, 2025, Hollywood’s quiet reverence for timeless elegance has finally made its undeniable presence felt, cloaked in the most exquisite Italian craftsmanship.
Roberts, gracing the red carpet for the premiere of her film, “After the Hunt,” delivered a look that transcended mere fashion—it was a statement. Her custom Atelier Versace gown, a singular creation by Vitale, wasn’t just a dress; it was a sartorial masterpiece, perfectly marrying modern lines with the kind of old-world glamour that feels both aspirational and deeply rooted in our collective memory of cinema’s golden age. This isn’t just about a celebrity wearing a beautiful gown; it’s about a symbiotic relationship between an icon and a visionary designer, culminating in an unforgettable fashion moment at the Venice Film Festival.
The gown itself was a study in refined sophistication. The rich, dark hue of the fabric, possibly a deep navy or midnight blue, provided a luxurious canvas, allowing the silhouette to speak volumes. The cut, a floor-length design, offered a statuesque and elongated line, flowing seamlessly from Roberts’ form. The subtle texture of the fabric, likely a silk cady or a finely woven crepe, caught the light with a subdued sheen, hinting at the exquisite quality without being overtly flashy. It possessed that certain je ne sais quoi—a seemingly effortless drape that only the most skilled couturiers can achieve, a hallmark of true Atelier Versace artistry.
The jewelry, as expected from a star of Roberts’ caliber, was impeccably chosen. Chopard High Jewelry Earrings, crafted from platinum and titanium, offered a subtle sparkle, catching the camera flashes without competing with the gown. A matching Chopard Bracelet echoed this refined brilliance, while a Chopard Ring added a final touch of understated luxury. Every piece spoke to a deliberate choice, complementing the gown’s inherent elegance rather than overpowering it. And let us not forget the shoes: Roger Vivier Belle Vivier Patent Leather Platform Pumps, a discreet yet powerful choice that provided height and a touch of structural polish beneath the sweeping hem.
Julia Roberts, in her Atelier Versace, didn’t just walk the red carpet; she owned it. She offered a powerful reminder that true style isn’t about chasing fleeting trends, but about embracing enduring elegance, masterful craftsmanship, and a touch of personal magic. It’s a lesson that, much like a finely aged Italian wine, only gets better with time. For more insights into iconic fashion moments and evolving trends, make sure to check out our celebrity fashion section on [suspicious link removed].
Decoding Julia Roberts’ Venice Wardrobe: Essential Elements
- The Custom Atelier Versace Gown: A masterclass in modern elegance meets classic Hollywood glamour. Look for clean lines, luxurious dark fabrics, and a silhouette that flatters without ostentation.
- Strategic Accessories: High-jewelry pieces from Chopard (earrings, bracelet, ring) are essential, chosen for their subtle sparkle and ability to enhance, not overshadow, the main ensemble.
- The Understated Shoe Choice: Roger Vivier Belle Vivier Patent Leather Platform Pumps provided hidden height and polish, proving that sometimes, the best shoes are the ones you barely see.
- Effortless Hair & Makeup: Wavy, flowing hair and bright, minimal makeup allow Roberts’ natural beauty and iconic smile to shine, completing the look with an air of relaxed sophistication.
- Versace’s New Direction: A nod to Dario Vitale’s fresh vision for Atelier Versace, blending traditional Italian craftsmanship with contemporary celebrity appeal.
Anna Ferzetti’s photocall look for “La Grazia” was a quiet triumph—graceful tailoring, muted tones, and a silhouette that whispered rather than shouted.
There’s a particular kind of fashion moment that doesn’t rely on sequins or spectacle—it’s about restraint, proportion, and the kind of elegance that lingers. At the “La Grazia” photocall during the 82nd Venice International Film Festival on August 27, 2025, Anna Ferzetti delivered exactly that.
Ferzetti wore a light gray, long-sleeved dress that balanced softness with structure. The fabric appeared to be a lightweight crepe or silk blend, matte in finish, with just enough drape to suggest movement. The gathered waist detail created subtle volume without overwhelming the silhouette, while the knee-length hem kept the look grounded in modern minimalism. The cut was clean, the lines uninterrupted—an exercise in quiet precision. Though the designer remains unconfirmed at press time, the aesthetic echoed the refined simplicity of The Row or Jil Sander’s softer tailoring.
She paired the dress with white pointed-toe slingback heels—sleek, architectural, and perfectly matched to the outfit’s tonal palette. No visible jewelry, no bag. The absence of accessories wasn’t a lack—it was a choice. A deliberate one. The synergy between dress and shoe created a monochrome moment that felt fresh, not flat.
In a season dominated by maximalist statements and archival revivals, Ferzetti’s look felt like a palate cleanser. It nodded to the quiet luxury trend without veering into cliché, and it reminded us that celebrity fashion doesn’t always need to scream to be heard.
