A bare shoulder, a gel pot, and a brush mid-swipe—Barbara Palvin’s Inglot campaign is part beauty ritual, part cinematic close-up (and fully magnetic).
Barbara Palvin doesn’t just model makeup—she makes it feel like a moment. In the Fall 2025 campaign for Inglot Cosmetics, Palvin invites us into the ritual, not just the result. The imagery is intimate, high-resolution, and arrestingly simple: a plain white backdrop, a black off-the-shoulder top, and a gaze that holds.
The focal point? A winged eyeliner in progress. Palvin holds a pot of black gel liner in one hand, while the other guides an angled brush with surgical precision. The line is bold, clean, and unapologetically graphic—evoking the kind of beauty seen in Helmut Newton portraits or early 2000s backstage Polaroids. It’s not just makeup; it’s mood.
Her skin is luminous and untouched, lips slightly parted, hair cascading in soft brown waves. The absence of jewelry or embellishment feels deliberate—letting the eyeliner and expression do the storytelling. The black off-the-shoulder top adds contrast and elegance, framing her collarbones like a minimalist sculpture.
A cascade of sequins, floral appliqué, and fearless poise—Elizabeth Gillies turns the PatBO fashion show into a garden of glam (with zero hesitation).
Elizabeth Gillies didn’t just attend the PatBO show at New York Fashion Week—she bloomed. On September 16, 2025, Gillies arrived in a look that felt less like a dress and more like a declaration: femininity, but make it fierce.
Her gown, sleeveless and floor-length, was drenched in red and pink floral embellishments, each petal sequined and strategically placed to sculpt the silhouette. The fabric shimmered under the venue’s overhead lighting, catching every camera flash like a firework in slow motion. It’s a dress that doesn’t whisper spring—it roars it, even in fall.
The cut was clean and body-conscious, with a sheer overlay that added dimension without distraction. No visible jewelry, no competing accessories—just the gown and Gillies’ presence. Her hair, styled in soft waves, framed her face with a romantic ease, while her makeup leaned glowy and editorial—think flushed cheeks, defined eyes, and a lip that didn’t try too hard.
A strapless ruched gown, silver platforms, and hallway drama—Scarlett Johansson’s Emmys look is pure cinematic glamour (with a whisper of Old Hollywood).
Scarlett Johansson doesn’t need a red carpet to make an entrance—she brings the drama wherever she walks. In a behind-the-scenes moment from her Emmys photoshoot on September 14, 2025, Johansson glides down a richly patterned hallway like it’s the final shot of a noir classic.
Her custom Prada gown is a masterclass in sculptural restraint. Strapless and form-fitting, the light-toned fabric hugs her frame with a ruched texture that catches the ambient light like ripples on satin. The silhouette is clean, uninterrupted, and floor-length—no train, no fuss, just pure architectural grace.
On her feet: Prada silver metallic platform sandals, peeking out with each step and adding a futuristic edge to the otherwise timeless look. The confirmed De Beers Talisman Cocktail Earrings in yellow gold—though not visible in this frame—would have added a subtle glint of warmth to the ensemble, balancing the cool tones of the gown and shoes.
The setting amplifies the mood: cream-colored walls, dark baseboards, and a red patterned carpet that feels more palace than hotel. It’s the kind of hallway that demands a gown—and Johansson delivers. Her posture is poised, her stride deliberate, her presence unmistakable.
Culturally, the look sits at the intersection of Old Hollywood and modern minimalism. It evokes the elegance of Grace Kelly with the precision of Miuccia Prada’s tailoring. In a season where maximalism is being redefined, Johansson’s choice feels like a quiet rebellion—no embellishments, no theatrics, just form and finesse.
