Barbara Palvin wore a belted black leather jacket with sheer tights and pointed pumps for a New York street style outing in October 2025.
Barbara Palvin was photographed out in New York on October 14, 2025, offering a sophisticated demonstration of contemporary model-off-duty panache. The look is an exercise in sartorial power: a belted, oversized black leather jacket with a sharply structured silhouette, broad lapels, and zippered pockets anchors her appearance. The jacket, cut to mini-dress length, signals a purposeful embrace of the “pantsless” trend sweeping through celebrity street style. Beneath, a micro-hint of lace-trimmed shorts peeks out, providing a tactile, almost provocative contrast to the jacket’s industrial finish. Black sheer tights extend her silhouette, while pointed black ankle-strap pumps lend a note of classic refinement. Accessories are pragmatic — a neutral taupe suede tote bag with visible personal effects and a pair of dark sunglasses, briefly raised to reveal a cool, composed expression and softly styled, loose hair. For this feature, the internal reference to celebrity street style is fitting, as Palvin’s ensemble distills the elevated ease that defines the best examples of this genre.
As the return of the Victoria’s Secret Fashion Show frames the October fashion calendar — and with Palvin slated to walk its storied runway again — this look has extra resonance. The oversized leather jacket is not just an aesthetic decision but a flex of urban armor, channeling a lineage from 1980s power dressing to today’s gender-blurring confidence. In an era where boundaries between public and private are porous, Palvin’s attitude reads like a fashion dissertation on the art of controlled reveal: more assertion than seduction, more statement than spectacle. Her styling typifies a new wave of everyday chic, where the lines between professional glamour and day-to-day pragmatism are pleasingly unstable.
This is a street style power play that deftly skirts the line between exhibition and restraint. The jacket’s voluminous cut lends architectural impact, its glossy finish absorbing and refracting light, while the nipped-in waist provides the only note of classical femininity. The absence of visible pants is both deliberate and on-trend, yet Palvin’s assured stance prevents the look from feeling costume-like. If there’s a critique to be made, it’s the risk of imbalance: the dominant jacket nearly overwhelms her frame and borders on swallowing the softer gestures of lace and sheer hosiery. Still, this deliberate proportion play is precisely what signals the outfit’s contemporary intent. In a season defined by revived maximalism and urban utilitarianism, Palvin’s take — complete with an unstudied mix of posh and pragmatic — lands as a study in calculated defiance and smart, aspirational edge. The truth of the look is not just in what’s revealed but in what’s withheld: authority and approachability, fused into one striking, quietly audacious urban uniform.
Paris Hilton wore a black pearl-embellished mini dress with lace tights and velvet gloves at Isabel Marant’s Paris Fashion Week show in 2025.
Paris Hilton brought star wattage to the Isabel Marant Spring/Summer 2025 runway on October 2, punctuating the Paris night with an ensemble that balanced theatricality and poise. Hilton attended the show in a form-fitting black mini dress, lavishly adorned with pearl-studded accents across the bodice and shoulder—an overt nod to embellished evening glamour. A sheer mesh overlay, asymmetric neckline, and gathers of draped tulle added layers of texture, transforming a simple mini silhouette into a study in contrasts. The look was completed with black lace-patterned tights extending to crystal-trimmed pointed heels, a matching velvet choker and opera gloves, and a structured black baguette bag. Her hair, styled in loose, pre-Raphaelite-inspired waves, softened the drama of the garment, while a neutral makeup palette kept the focus on the craftsmanship and sparkle. For those charting celebrity event appearances , Hilton’s look offered a contemporary riff on retro sophistication.
Hilton’s appearance at the Isabel Marant show taps into a sustained fashion preoccupation with opulence recast through a lens of reinvention. As Paris Fashion Week juggles demands for spectacle and substance, Hilton’s aesthetic deftly fuses references—part 1980s soirée, part modern It-girl. Isabel Marant’s own Spring/Summer vision, focused on tactile fabrics and the freedom of self-expression, finds an echo in Hilton’s choice to mix velvet, lace, and pearls. In a cultural moment that rewards brash personal branding, the outfit’s calculated playfulness signals Hilton’s continuing evolution: from heiress to fashion protagonist, she now controls the script.
Twigs wore a black embellished cut‑out top with leather trousers, a gold snake belt, and high‑heeled boots at the Schiaparelli Spring/Summer 2026 Paris show.
On October 2, 2025, Twigs attended the Schiaparelli Womenswear Spring/Summer 2026 show during Paris Fashion Week, arriving in a look that blurred the line between performance art and front‑row fashion. She wore a black high‑fashion top with a deep, ornate cut‑out design down the front, embellished with silver crystal detailing that caught the light with every step. The structured shoulders and glossy finish of the fabric emphasized Schiaparelli’s sculptural codes. She paired the top with high‑waisted black leather trousers, cinched by a dramatic gold snake belt that coiled around her waist like living jewelry. Black high‑heeled boots extended the silhouette, while oversized dark sunglasses and large earrings added further theatricality. Her hair, styled into sculptural upward extensions, reinforced the avant‑garde energy of the ensemble.
This appearance situates Twigs within the broader tradition of Schiaparelli’s surrealist heritage, where clothing is never just clothing but a provocation. The snake belt, in particular, recalls the house’s history of transforming accessories into symbolic objects — jewelry as myth, ornament as narrative. In the current cultural climate, where fashion weeks double as stages for viral imagery, Twigs’ look resonates as both homage and disruption. It channels the brand’s surrealist DNA while aligning with her own reputation for experimental artistry. The crowd of onlookers, phones raised, underscores how front‑row fashion has become a public performance in itself, designed as much for the street runway as for the catwalk.
