Becky G posed in a relaxed studio portrait for Associated Press in August 2025, wearing a sleeveless blouse, jeans, and heels with a visible tattoo detail.
August 2025. Studio backdrop, neutral tones, textured wall. Becky G seated on a backward‑facing chair, posture casual, head resting on her hand. A smile, faint but present.
Outfit pared down. Sleeveless white blouse, bow detail at the collar. Loose‑fit jeans, faded hem, fabric carrying a worn‑in ease. White open‑toe heels, sharp against the denim. Nothing extravagant, just steady styling.
Her left arm draped across the chair back, tattoo visible — “Los Angeles” in cursive. A detail that felt personal, almost stubborn in its placement. Accessories minimal, no heavy jewelry.
Emma Stone posed for the LA Times January 2026 feature in a black off‑shoulder dress, photographed indoors against a neutral backdrop with soft natural lighting.
January 2026. A quiet room, muted tones, mirrors on the wall. Emma Stone standing in the center, posture deliberate, one hand pressed to her chest, the other resting across her arm.
Black dress, off‑shoulder, fitted. No embellishment, no glitter. Fabric steady, carrying weight without excess. The look leaned into restraint, almost stubborn in its simplicity. Hair styled natural, makeup soft. Jewelry absent, no clutch, no fuss.
Anya Taylor-Joy wore a white ski jacket, black pants and Salomon boots while finishing a ski day in Aspen in January 2026.
Coming off the slopes in Aspen, Colorado, on January 2, 2026, Anya Taylor-Joy looks less like a movie poster and more like any tired, happy skier. She stands on the cobbled plaza still in full gear: a long white ski jacket zipped up over a cream turtleneck, black snow pants, and black SALOMON ski boots buckled tight. A ribbed white beanie is pulled low over her forehead, hiding most of her long blonde hair except for a few straight strands falling forward. In both hands she holds a glossy black helmet with a yellow strap and the word “SMITH” stamped in bold letters across the side. One rust-colored glove dangles from her coat; the other is out of frame. It is the mountain-town version of celebrity street style : practical first, but still quietly composed.
The setting feels busy but normal. People shuffle around her in different colored jackets, skis and boards scattered on the ground like dropped pencils after class. No one is fussing with her outfit, no stylist in sight—just a woman in line with everyone else, helmet off, maybe waiting for a friend or figuring out where to grab hot chocolate. The color story is simple: white on top, black on the bottom, small hits of yellow and burgundy from the helmet and gloves. It is almost monochrome against the blur of other gear. For an actress who spends most red carpets in sculpted gowns, this is refreshingly plain; you get the sense she dressed for the weather and the rental lockers, not for headlines.
Style dilemma: if you were packing for this same day in Aspen, would you copy her clean white-and-black gear, or reach for bolder colors on the slopes?
