Becky G wore a corset-style croc-embossed dress with a sheer leopard mesh skirt for her 2026 Grammy pre-photoshoot on January 31.
Ahead of the 2026 Grammys, Becky G dropped into Rodrigo Ramirez’s Grammy Week campaign with a look that felt one part jungle, one part gem case, and fully in her current crossover zone—Latin pop with fashion teeth.
The dress grabs you in stages. First, the structured squared neckline —corset-style bodice, sculpted, caramel-toned , and croc-embossed. The fit is stiff but seamless. Below the waist, things shift. The skirt flows straight down into nude illusion mesh , printed in a leopard-like pattern and über-sheer, right up to the edge of being dangerous. As if that weren’t enough, glossy amber gemstones flash across the print—irregular, jewel-cut pieces placed like a scattered crown, pulling the light just enough for the camera to catch.
Becky kept everything else in play mode. Hair center-parted and bone-straight, cascading clean past her chest in one motion. Makeup soft but precision-detailed : thick lashes, subtle contour, that signature full glossed lip with just enough rose tint to warm the base up without entering glam territory.
This wasn’t just a fashion photoshoot . It doubled as genre-blending symbolism—pop meets tradition, glam gets re-skinned. She looked like she walked out of the jungle with a red carpet invite clenched between her teeth.
Jules Aurora wore a shimmering aqua mini dress at the People We Meet on Vacation premiere in Hollywood on January 6, 2026.
At the People We Meet on Vacation premiere held at the Egyptian Theatre in Hollywood on January 6, 2026 , Jules Aurora stepped onto the red carpet in a soft aqua mini dress that balanced movement and simplicity. The sleeveless number featured a loose draped cowl neckline , adding textural flow to the otherwise body-skimming cut. The fabric shimmered with a subtle, almost metallic weave—quietly calling back to mid-2000s dancefloor looks but with 2026’s cleaner lines. Her strappy nude sandals kept the proportions breezy and leg-focused, anchoring the look with a light touch of structure. A tiny, delicate anklet added a whisper of personality. Hair was kept long and natural, parted down the middle and pushed behind the shoulders—allowing the neckline room to breathe. Makeup leaned peachy and dewy, with a hint of 70s prom-drama in the blush placement, but it held together. The result: clean, bright, and unfussy.
This appearance, smack in the middle of Netflix’s light-hearted romantic releases, fits comfortably into a tone of relaxed polish that’s becoming more ubiquitous across celebrity style coverage. In contrast to the hyper-constructed gowns often seen at major premieres, Aurora’s look signals a pivot: stars attending streaming debuts are increasingly opting for camera-ready ease—less about prestige, more about personality. It’s California confidence, less Cannes grandeur.
Kaia Gerber wore a sleek Givenchy dress with sheer tights, black pumps, and a top-handle clutch to a Grammy after party on February 1, 2026.
Stepping into Vas J Morgan’s Grammy Week party on February 1st, 2026, Kaia Gerber made a case for the kind of tailoring that doesn’t need adjectives. She came in silence—no visible embellishment, no statement cutouts. Just a sharp-edged column of black, and that was plenty.
Her dress, reportedly from Givenchy’s Fall 2025 collection , was column-shaped and hits calf-length, playing it crisp with a straight neckline , barely-there seams, and not a single pinned drape in sight from the front. The back detailing—confirmed as draped from the runway version—is invisible here but implied by the light sway as she moved. Fitted, sleeveless, sculpted. Enough said.
She matched it with black point-toe pumps worn over semi-sheer tights , creating that ultra-clean line down the leg that fashion editors love and TikTok tends to miss. In hand, a Givenchy Mini Pinch Bag , carried by the daring white frame handle that popped even in low-light flash. Her hair stayed up and loose—volume at the crown, mid-’90s blowout vibes. The makeup? Sharp liner, brushed brows, just enough matte to pull it together.
This wasn’t a fashion stunt. There was no plea for attention stitched into the look. She dressed like someone who’d already gotten the invite—and burned it after RSVPing.
