Bella Hadid wore a red Schiaparelli Fall 2025 couture gown with Chopard diamond jewelry to The Beauty premiere in New York on January 14 2026.
Calm, deliberate, almost carved from light– Bella Hadid stepped onto the Museum of Modern Art carpet for The Beauty premiere wearing a gown that refused understatement. The red Schiaparelli Fall 2025 Couture design was a study in tension: sculpted and fluid at once, its sheer panels spliced around the body like ribbons held in place by invisible intent. The neckline, high and folded close to her throat, lent it structure. Below, fabric fell into an exact trail of transparency, soft as smoke, fearless in cut.
The gown alone could command silence, but the styling sharpened it. Minimal makeup, hair pulled back tight enough to emphasize angles rather than soften them. Just Chopard diamond stud earrings and a Chopard ring , tiny points of real shimmer against the heat of the color. No clutch, no distractions–just poise and the balance of confidence over adornment.
Bella Hadid wore a Mugler Fall 2016 black corset jacket and vinyl mini skirt with Chopard diamond jewelry at The Beauty NY premiere.
Bella Hadid at The Beauty New York premiere, Museum of Modern Art, January 14, 2026. She stands in front of a mesh backdrop, hands relaxed, gaze sharp, not a hint of nerves. The look is pure event appearance –Mugler Fall 2016, a black tailored jacket with a deep V neckline, cinched at the waist with red pinstripes, and a glossy, black vinyl mini skirt that catches every bit of light. The skirt is short, the jacket is structured, the whole thing is a little bit 80s, a little bit “don’t mess with me.”
Her hair is slicked back, parted on the side, tucked behind her ears. Makeup is bold–smoky eyes, sharp cheekbones, lips a muted nude. On her ears, Chopard diamond stud earrings . On her fingers, a stack of Chopard rings , all silver, all sparkle. Shoes are black pointed pumps, classic, nothing to distract from the outfit.
This is a look that leans into red carpet fashion –tailored, shiny, but never costume. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the jacket and the skirt do the talking. The vinyl is for the cameras, the attitude is the real accessory.
She could be anywhere–a gallery, a club, or just the last one standing. Tonight, she’s here, and the shine does all the work. The rest is just city static.
Rihanna wore a form-fitting gray dress with gold heels and oversized sunglasses while heading to Philippe restaurant in New York City in 2009.
New York streets in late 2009 had that cool glow from taxis and neon storefronts, and Rihanna fit right into it. No flashy jacket, no bodyguard-staged swagger–just a sleek gray long-sleeve dress cut close to the body, the kind that speaks in lines rather than volume. She walked out of the cab straight-shouldered, gold heels catching the streetlight like bits of armor.
The look was sharp but never overdone. Her hair was cropped short in a side-swept cut–early proof that Rihanna was already ahead of the trend curve by several years. The jewelry: a simple chain necklace and stacked bracelets that moved when she did. She held a large metallic gold clutch, folded over at the top, shiny enough that it might have also served as a mirror. Everything about the moment said self-assured ease–equal parts night out and urban armor.
