Bella Hadid wore a hand-knit crochet hoodie, scarf, gloves, and denim for a snowy day look on February 1, 2026.
On February 1, 2026 , Bella Hadid did what so few winter outfits manage to do—look warm, weird, and kind of wonderful. Sprawled in the snow, laughing mid-squint, she’s bundled up in coordinated pieces from My Beachy Side —but it’s not your standard coat situation. This is crochet. Big squares. Granny-afghan energy but made fashion. A fuzzy mosaic of beige, chocolate, and cream tones stitched into a graphic Madison Cardigan , complete with hood and matching extras.
The scarf ? Full length. Same chunky texture. Not just wrapped—but trailing, layered like snowfall. And yes, she’s got the gloves to match. Half-finger style, edging undone just enough to feel worn-in, not raw. There’s nothing overly styled about it—it’s just all there, cozied up and piled on.
Below it all: light-wash, high-rise jeans from Re/Done , softwashed and fitted through the hips, relaxed through the knees. Slight cuff at the ankle, buried in snow. You can tell this isn’t a posed campaign—it’s a mood grab. Accidental editorial. The kind of frame you take between takes—and end up liking more than the polished one.
And that smile? Wide open. Not staged. The whole look isn’t about trying to be hot— it’s about warmth handled with charm, ease, and just a little bit of handmade chaos.
Margot Robbie wore a vintage Galliano dress with pearls and slingback pumps to the Wuthering Heights photocall in London on February 4, 2026.
At the Wuthering Heights photocall in London on February 4, 2026 , Margot Robbie didn’t channel a character—she wore the kind of fashion that remembers . A memory of 1992 walked right into the room with her, strapped to her body via a piece of John Galliano vintage that you’d call “romantic decay” if it weren’t still so crisp. Timeless, but far from soft. Stiff bodice. Sharp neckline. The kind of dress with opinions.
She paired it with Manolo Blahnik custom Carolyne slingbacks —no platform, just a pointed grace that keeps the ankle sharp. No competing lines. Accessories stayed precise: she wore Jessica McCormack’s cut-down hoop earrings , diamond-studded and finished with silent pearls that somehow echoed the dress’s strange old-world seriousness. Throw in the Jacques Marie Mage “Burn” sunglasses , and now she’s crossing the uncanny valley between English ghost story and Los Angeles runway.
A soft blowout, curve tucked behind one ear just far enough to flash the earring. Dark manicure. No necklace—because that neckline needed the quiet. And when she raised her hand to swipe at the light? You caught the Jessica McCormack bespoke daisy ring , ruby centered, glinting exactly once and never again.
It wasn’t loud. It was deliberate. This was not Margot Robbie in costume—it was a woman in command of aesthetic time travel.
Linda Cardellini wore a white strapless midi dress and black platform heels at the Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026 , Linda Cardellini showed up in something that’s not chasing headlines—just presence. Her look? A clean, corset-boned strapless white midi dress , softened with raw-edged seams and a trim of near-fringe along the hem. Slight texture across the bust suggests gentle construction, but nothing stiff or overly sculpted. The fabric moves how you’d expect softened cotton canvas or unlined boucle to move. And in this light, it feels a bit like something borrowed from, not built for, a press junket.
At the waist: one black ribbon belt—splitting the look with a whisper of definition, but not breaking it. And with it, chunky black platform heels , suede or velvet by sight, open-toe, thick ankle straps knotted high. The vibe is casual formality, or maybe dress-up with no dress code. Her hair? Loose curls, ends flipped just the right amount under. Bangs sweeping, lived-in but styled. No necklace, no loud accessory noise. Just earrings and what looks like a confidence that’s had its coffee.
This wasn’t a red carpet fashion power play or a style stunt. It looked like someone showing up as exactly who they are, with the volume turned down and still being heard.
