Bella Hadid wore a silver fringe outfit with elaborate white angel wings at the Victoria’s Secret Fashion Show 2025 in New York City.
On October 15, 2025, Bella Hadid walked the runway at the Victoria’s Secret Fashion Show 2025 in New York City. She appeared in a dramatic ensemble that epitomized the brand’s theatrical DNA: a silver fringe outfit that shimmered under the lights, paired with large white angel wings crafted from sculptural floral and feather‑like elements. The wings, expansive and meticulously detailed, framed her figure as she moved barefoot across the glossy runway, her reflection amplifying the spectacle. In another segment of the show, she wore a coordinated red lingerie set with garter belt, stockings, and a flowing robe, the stage bathed in crimson light to heighten the drama.
Hadid’s dual runway appearances underscored the enduring spectacle of the Victoria’s Secret brand, which has long blurred the line between lingerie presentation and performance art. The silver fringe and angel wings recalled the brand’s heritage of fantasy‑driven iconography, while the red lingerie look leaned into sensual maximalism. In the broader context of celebrity event appearances , her styling exemplifies how front row fashion has expanded into runway theatrics, where models embody archetypes of power, fantasy, and desire. The juxtaposition of ethereal wings with provocative lingerie suggested a cultural appetite for extremes—angelic symbolism colliding with unapologetic sensuality.
Julia Garcia wore a strapless lace overlay dress with nude heels at Hulu’s The Hand That Rocks the Cradle screening in Burbank, October 2025.
On October 15, 2025, Julia Garcia attended the special screening of Hulu’s The Hand That Rocks the Cradle in Burbank, California . She walked the red carpet in a strapless, form‑fitting dress featuring a black floral lace overlay on a nude base , a design that played with transparency and contrast. The look was completed with nude high heels , elongating her silhouette while keeping the focus on the intricate lacework. The backdrop, emblazoned with Hulu’s branding and the film’s release date, framed the ensemble in a distinctly cinematic context.
Garcia’s choice of lace aligned with the 2025 resurgence of neo‑romantic eveningwear , where designers revisit gothic motifs through modern tailoring. The black‑on‑nude palette evoked both sensuality and restraint, a duality that resonates with contemporary red carpet fashion. In the broader landscape of celebrity red carpet arrivals , her styling exemplifies how stars increasingly favor couture‑inspired dresses that balance accessibility with high‑fashion codes. The look also reflected a cultural appetite for illusion dressing , where sheer overlays create the impression of fragility while maintaining structure.
Demi Lovato wore a Vivienne Westwood Fall 2025 brown blazer with matching skirt, Elevated Ghillie heels, and Hazel Treasure Bag in Paris.
On October 4, 2025, Demi Lovato attended the Vivienne Westwood Womenswear Spring/Summer 2026 show during Paris Fashion Week in Paris, France. She arrived in a sharply tailored brown oversized double‑breasted blazer layered over a matching short skirt, paired with a checkered shirt that added a subtle clash of pattern. Completing the ensemble, she carried the Vivienne Westwood Hazel Treasure Bag and wore Vivienne Westwood Elevated Ghillie lace‑up heels in a striking purple tone. The look balanced masculine tailoring with playful accessories, underscoring Westwood’s heritage of subversive contrasts.
Lovato’s outfit reflected the 2025 trend of gender‑fluid tailoring , where oversized blazers and skirt pairings blur traditional codes of masculinity and femininity. The plaid handbag and lace‑up heels injected a note of eccentricity, echoing Westwood’s punk‑inflected DNA. In the broader context of celebrity event appearances , her styling exemplifies how front row fashion has become a platform for stars to embody both authority and whimsy. The juxtaposition of a structured blazer with playful accessories suggested a deliberate embrace of contradiction, a hallmark of Westwood’s cultural legacy.
The ensemble is audacious in its orchestration of structure and eccentricity. The blazer and skirt projected authority, while the Hazel Treasure Bag and Elevated Ghillie heels injected wit and individuality. Some might argue the oversized proportions risked overwhelming the silhouette, but the sharp observation here is that Lovato’s styling illustrates how public appearances at fashion shows now function as cultural theater—where the tension between discipline and play becomes the very point of fashion.
