Benedetta Porcaroli wore a black cutout top and blue asymmetrical skirt at GQ Men of the Year Milan.
At the GQ Men of the Year Awards 2025 in Milan on November 27 , Benedetta Porcaroli appeared in a look that fused red carpet fashion-coded silhouette contrast with celebrity look-coded tonal clarity , captured against a branded red backdrop featuring event partners and supporters.
Porcaroli wore a black top with a heart-shaped cutout , paired with a blue asymmetrical skirt , black sheer tights , and black pointed-toe heels . She accessorized with a tan handbag , red lipstick , and minimal jewelry . The cutout detail introduced a layer of fashion moment-coded sculptural punctuation , while the skirt’s asymmetry leaned into designer outfit-coded directional styling . Her stance—centered and composed—reinforced the editorial’s red carpet arrivals-coded compositional fluency , framed by logos from Jeep, Philip Watch, and Tagliatore.
Mia Goth wears multiple high-fashion looks in a cinematic editorial for Modern Weekly Style Magazine.
- A pink and white patterned dress with ruffled details, styled with black thigh-high leather boots and long black gloves , posed against a retro sofa and side table with glassware. The lighting—warm and dramatic—leans into styled shoot-coded theatricality , where posture and texture co-author the visual rhythm.
- A white sleeveless dress adorned with floral embroidery and a bow neckline , worn while kneeling between vintage armchairs in a sunlit room. The golden light filtering through sheer curtains reinforces the editorial’s beauty shot-coded emotional softness , where stillness becomes narrative.
- A beige strapless garment paired with a matching head wrap , styled with a bouquet of white roses , staged outdoors against a bright blue sky and industrial towers. The juxtaposition of natural and manmade elements introduces studio portrait-coded symbolic contrast , where fashion becomes a vessel for visual paradox.
Haifa Wehbe wears multiple high-fashion looks in GQ Middle East’s November 2025 editorial feature.
In the November 2025 issue of GQ Middle East , Haifa Wehbe appears in a multi-look editorial that fuses celebrity photoshoot-coded tonal drama with fashion spread-coded spatial precision , captured across a series of studio-lit compositions that reframe glamour through sculptural styling and editorial clarity.
On the cover , Wehbe reclines on a segmented black leather couch wearing a black corset-style outfit , styled with long waves and a composed gaze. The look leans into studio portrait-coded silhouette control , while the minimal background reinforces the spread’s beauty shot-coded compositional restraint .
Inside the editorial, she transitions through several distinct outfits:
- A tiger-stripe bodysuit in shades of brown and black, styled with loose waves and a relaxed pose, evokes high fashion-coded texture fluency , framed by dramatic lighting and a segmented chair.
- A white mesh top with feathered cuffs paired with a feathered skirt and rhinestone-adorned heels , styled against a vertical light beam, introduces styled shoot-coded contrast logic , where transparency and texture co-author the visual rhythm.
- A beige and black mermaid silhouette gown with cut-out waist detailing, paired with long black gloves , staged against a gradient backdrop with light streaks, channels editorial-coded sculptural tension , where pose and proportion converge.
This editorial aligns with the current mood of magazine cover-coded tonal storytelling reframed for regional iconography . The tiger print nods to early-2000s animal-coded power dressing , the feathers to mid-2010s couture-coded volume logic , and the gloves to 2020s fashion photoshoot-coded theatricality . In the context of a multi-look spread—where persona and styling evolve across frames—Wehbe’s presence reads as both expressive and grounded, a fusion of celebrity photoshoot-coded silhouette fluency and fashion photoshoot-coded emotional resonance , where style becomes a vessel for rhythm, recognition, and editorial immersion.
