Benedetta Porcaroli trades red carpet polish for elemental allure—her September 2025 shoot with Alessandro Treves is equal parts siren, sculpture, and cinematic stillness.
There’s something primal about Benedetta Porcaroli’s latest editorial—something that resists polish and instead leans into rawness, erosion, and the quiet power of stillness. Shot by Alessandro Treves against the jagged volcanic coastlines of southern Italy (location unconfirmed at press time), the September 2025 series feels less like a fashion shoot and more like a myth unearthed.
Porcaroli’s wardrobe is minimal but emotionally loaded. In one frame, she reclines against a dark rock face in a strapless, charcoal-toned dress—its fabric matte and slightly crinkled, as if weathered by sea spray. The cut is simple, almost monastic, but the way it clings to her form suggests a kind of sensual austerity. In another shot, she wears a black one-piece swimsuit with a circular cutout at the center—an architectural detail that breaks the severity of the silhouette and adds a whisper of futurism. A third look features a halter-neck, light-toned dress that pools softly around her seated figure, echoing the curves of the stone beneath her. No visible logos, no excess—just texture, tone, and tension.
Accessories are absent, and that’s the point. The rocks are her jewelry, the shadows her styling. The lighting is natural, subdued, and moody—sunlight filtered through cave openings and cliff edges. Her poses are languid, introspective, almost statuesque. One arm behind the head, another grazing the cheek—each gesture feels choreographed by instinct, not instruction.
In a fashion moment dominated by dopamine dressing and maximalist nostalgia, Porcaroli’s shoot is a quiet rebellion. It recalls the stripped-back sensuality of early Peter Lindbergh editorials, with a touch of Luca Guadagnino’s cinematic melancholy. There’s no attempt to sell a trend—just a mood, a moment, a meditation on form and feeling. And in the ever-evolving landscape of celebrity photos , this series stands out for its refusal to perform.
Never one to abandon her signature style, Rihanna fused comfort with her characteristic flair (and a flash of midriff) in a casual Los Angeles outing.
Not every outing can be for an extravagant meal at Giorgio Baldi, but that isnt stopping Rihanna and A$AP Rocky from making the most of even the most basic errand run.
Ever the master of third-trimester dressing , Rih opted for a below-the-bump styling moment in a pair of jeans ripped at the knees. Even cuffed, the pants pooled around her feet, a pair of white flats with a black cap toe peeking out from underneath. On top, she wore a gray striped Miu Miu long-sleeve polo .
An expert accessorizer, it’s no surprise that Rihanna decided to jazz up her polo and jeans. On her shoulder, she carried a Louis Vuitton shoulder bag in the brands classic monogram. As for her jewelry, she added a bold, gold beaded choker (that appears to be from Jil Sander) to her usual necklace stack. The sweetest statement of all was the smallest: the “mom” ring on her left ring finger.
Rocky, for his part, went for a monochromatic look in a textured cream long-sleeve and baggy pants, which he wore with black square-toe shoes. While he took a “less is more” approach to his outfit, Rocky’s pearl-encrusted over-the-ear headphones did the heavy lifting.
Whether they’re going for a single, statement-making piece or several, Rihanna and A$AP Rocky know that the accessory makes the outfit. This kind of effortless yet deliberate approach to their public appearances is what makes their celebrity street style so influential.
Julia Butters brought structured sweetness to SiriusXM’s NYC studios—her tweed two-piece was part Chanel, part schoolgirl rebellion, and entirely her own brand of cool.
Julia Butters may be young, but her fashion instincts are already razor-sharp. At SiriusXM’s New York studios on September 3rd, 2025, the actress stepped into the spotlight with a look that felt like a wink to heritage couture—filtered through Gen Z’s irreverent lens. It’s the kind of outfit that doesn’t scream for attention but earns it, stitch by stitch.
Butters wore a black-and-white tweed co-ord that balanced classic texture with modern tailoring. The fitted jacket featured structured shoulders and a zip-front closure, punctuated by a crisp white tie detail at the collar—a nod to prep-school polish, but with a twist. The matching skirt was cut short and clean, offering just enough edge to offset the traditional fabric. The tweed itself was tightly woven, with a subtle sheen that caught the studio lights like a whisper of glam. While the designer remains unconfirmed at press time, the silhouette and finish suggest a youthful take on Chanel’s legacy—think Miu Miu meets downtown Manhattan.
Her black high-heeled sandals added height and a touch of minimalism, letting the tweed do the talking. No jewelry cluttered the look, which felt intentional—this was about texture and shape, not sparkle. The SiriusXM backdrop, with its repeated logo and cool-toned lighting, gave the whole scene a media-day crispness. Butters stood poised, hands relaxed, gaze direct. There was no overacting here—just presence.
For more moments like this—where youth meets polish and personality—explore our archive of celebrity style .
