Blake Lively wore a Sergio Hudson burgundy leather shirt dress with Christian Louboutin Follies Cabo 120 spike pumps in New York City, 2025.

On September 20, 2025 , Blake Lively was spotted in New York City , turning the sidewalk into her runway with a bold Sergio Hudson Fall 2025 leather shirt dress in a deep burgundy shade. The dress featured a button‑down front, corset waist detail, and pleated A‑line midi skirt , creating a structured yet feminine silhouette.

She paired the look with Christian Louboutin Follies Cabo 120 pumps , crafted in burgundy suede and covered in multicolor jewel‑tone studs. The shoes’ pointed toe and gold specchio stiletto heel added both height and drama. Completing the ensemble, Lively carried a burgundy Chanel buckle strap bag with gold detailing , coordinating seamlessly with her golden waves styled in soft, effortless texture.

This appearance reflects the 2025 fascination with monochrome power dressing , where tonal layering in rich seasonal hues signals authority and polish. By choosing Sergio Hudson—a designer known for architectural tailoring—Lively aligned herself with the season’s appetite for celebrity event looks that merge strength with sensuality.

Her footwear choice underscored her long‑standing relationship with Christian Louboutin, a brand she has championed across red carpets and off‑duty moments alike. The studded pumps, playful yet luxurious, reinforced her reputation as one of the designer’s most visible celebrity supporters.

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The ensemble is refined in its orchestration of color, silhouette, and accessories. The leather dress projected structure, the pumps introduced whimsy, and the Chanel bag delivered polish. Some might argue the monochrome palette risked predictability, but the sharper observation is that Lively’s look illustrates how urban fashion thrives on detail—where tonal harmony becomes a statement of confidence.

Allison Williams wore a deep red satin gown with asymmetrical draping for her Vogue Magazine October 2025 photoshoot, styled with soft waves and minimal jewelry.

For the October 2025 issue of Vogue Magazine , Allison Williams embodied timeless elegance in a deep red satin gown . The dress featured a floor‑length silhouette, glossy finish, and asymmetrical neckline , with draped detailing at the hip that emphasized sculptural movement.

In one editorial frame, she stood against a neutral backdrop, her hair styled in soft waves, makeup kept subtle, and earrings adding a delicate accent. In another, she leaned against a hallway wall, holding a black rectangular clutch with a gold clasp , the gown’s sheen catching the warm light. Behind‑the‑scenes moments revealed the meticulous preparation: hairstylists perfecting her waves and makeup artists applying finishing touches, underscoring the collaborative artistry behind a high fashion photoshoot .

This spread reflects the 2025 fascination with satin revival in editorial fashion , where glossy fabrics are reinterpreted as symbols of cinematic glamour. Williams’ choice of a bold red palette aligned with the season’s appetite for fashion spreads that merge sensuality with authority.

The behind‑the‑scenes glimpses also highlight the cultural appetite for transparency in fashion media: audiences no longer see only the polished cover but also the artistry, labor, and collaboration that bring it to life.

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Kendall Jenner wore a sheer black polka‑dot gown with feather embellishments at the Schiaparelli Spring/Summer 2025 show during Paris Fashion Week.

On October 2, 2025 , Kendall Jenner attended the Schiaparelli Spring/Summer 2025 Fashion Show during Paris Fashion Week , delivering a dramatic front row fashion moment. She wore a sheer, floor‑length black gown adorned with oversized polka dots and feather‑like embellishments , paired with strappy high‑heeled sandals . Large round earrings completed the look, amplifying the theatricality of the ensemble.

The fitted bodice and long sleeves emphasized structure, while the transparency of the fabric created a play between concealment and revelation—a hallmark of Schiaparelli’s avant‑garde DNA.

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