Blu DeTiger wore a plunging black bodysuit with sheer leggings and burgundy stilettos at Spotify’s Best New Artist Party in LA on January 29.
At Spotify’s 2026 Best New Artist Party in West Hollywood, Blu DeTiger gave the black carpet something a little riskier, a little more sculpted. Wearing a deep V black bodysuit with attached sheer leggings , she played to the late-night mood without overloading the frame. The plunging neckline cut nearly to the waist, no lining, no lace—just fabric, skin, shadow.
What pulled it together was the finish. The panels were matte, but the sheerness of the legs gave the look weightless edges—tight but barely there. She styled it with wine-toned stiletto heels , sharp toe, patent leather, and two thin ankle straps that echoed the clean geometry of the jumpsuit.
Jewelry stayed in a minor key: silver rings stacked and spaced across both hands, with no effort to be dainty. Her hair fell long to one side, soft beachy waves, no part in sight—low-maintenance cool meets practiced silhouette. No gown. No shimmer. Just a sharp shape and confidence.
This event appearance wasn’t trying to red-carpet compete. It was built around contrast—weight and transparency, reveal and armor, effort and ease. Blu didn’t need to cover more. She let the fabric stop just short—and the attitude do the rest.
Julianne Hough wore a black leather jacket and matching Khaite mini skirt with knee-high boots at Spotify’s Best New Artist Party in LA.
At Spotify’s 2026 Best New Artist Party in West Hollywood on January 29, Julianne Hough showed up in a full-leather moment that didn’t lean flashy—it leaned controlled, styled, and a little fierce. She wore a black leather zip-up jacket , structured at the shoulders, paneled with oversized front pockets, and cinched slightly at the waist—not tight, just enough to shape.
The bottom half? A Khaite mini leather skirt , overlapping tulip-cut hem, same finish and tone as the jacket. The kind of coordination that feels less matchy-matchy and more tactical. Boots hit just below knee-level, also black patent, and kept the entire look vertical—nothing to stop the eye, all the way down to the floor. No competing accessories. Hands clear except for one phone. No visible bag.
Hair slicked back, parted center, blunt bob tucked neatly behind ears. The finish was clinical—but on purpose. The event appearance felt like a callback to early ’00s clubwear mixed with biker iconography. But cleaned up. Polished.
It didn’t need zippers hanging open or studs screaming for attention—it just needed control. That, and a hell of a hemline.
Kara Del Toro wore a black bodycon mini dress and hoop earrings to Estee Lauder’s Double Wear celebration at Chateau Marmont on January 29.
At Estee Lauder’s Double Wear celebration hosted at Chateau Marmont on January 29, Kara Del Toro delivered a look that felt clean, intentional, and quietly practiced. A black bodycon mini dress , built from thin horizontal banding that hugged close from collarbone to hem. Thin shoulder straps. Scoop neckline. Nothing excessive. The kind of dress that’s not designed to impress—it’s designed to not get in the way of confidence.
The dress did all the fitting; the styling did all the softening. She paired it with large gold hoop earrings , no necklace, and a slicked-back hairstyle that looked wet but held firm. Nothing too staged. Her makeup, though, did the finishing work: glossy oxblood lips , dark-defined brow, and that clean halo of dewy highlight that gives the illusion of candlelight even under LED.
No clutch. No visible heels in frame—just clean lines, body symmetry, and posture that did the talking. The carpet might’ve been nonexistent, but the event appearance still registered like it had precision baked into the seams. Minimal fabric, max control. Sometimes the formula still works when it’s this finely tuned.
