A time capsule of 90s glamour, Blumarine’s Spring/Summer 1993 campaign, captured by Helmut Newton, features icons Monica Bellucci and Carla Bruni in a series of unforgettable, cinematic moments.
Fashion campaigns from the 1990s hold a certain je ne sais quoi—a raw, unfiltered energy that feels both nostalgic and utterly modern. The Blumarine by Anna Molinari Spring/Summer 1993 campaign is a perfect example, a visual feast brought to life by the legendary Helmut Newton and starring two of the decade’s most defining faces: Monica Bellucci and Carla Bruni. The images are not just about clothes; they’re about attitude, and a very particular kind of European chic.
Bellucci’s images are a symphony of sultry confidence. In one shot, she lounges on a pile of logs, a cigarette dangling from her lips, wearing a black dress paired with a vibrant, embroidered floral vest—a masterclass in print and texture. The addition of thigh-high stockings and chunky boots gives the look an edgy, almost rebellious undertone. Another photograph sees her in a bedroom setting, a blue and white striped corset and lace-trimmed shorts, her hair styled in playful pigtail braids. It’s a study in contrasting moods, from defiant urbanite to playful coquette.
Carla Bruni, meanwhile, offers a different, more minimal brand of allure. Her image is a stark black-and-white portrait, capturing her leaning against a textured wall, arms outstretched in a dramatic, almost theatrical pose. She wears a sleek black dress with a wide, white square buckle belt that cinches her waist, and a dangerously high slit. Thigh-high stockings and a bold, dark lip complete the look. It’s a look that’s both sculptural and deeply sensual, a nod to the era’s minimalist-meets-maximalist aesthetic.
Together, these images encapsulate a pivotal moment in fashion history. It’s the meeting of two supermodels—each with their own distinct style and presence—for a single, iconic campaign.
Madison Beer unveils a fresh, vintage-inspired aesthetic for a new photoshoot, contrasting a delicate, lace-trimmed slip dress with her signature, modern-day streetwear.
The line between a star’s personal style and their professional aesthetic can often blur, and in Madison Beer’s latest Los Angeles shoot, we get a fascinating glimpse into both. Captured between takes, the pop artist transitions from a delicate, ethereal look to her own signature off-duty comfort, providing a peek into the duality of celebrity fashion.
In the first set of images, Beer channels a romantic, almost nostalgic vibe. She poses in what appears to be a silky, light blue slip dress, its classic silhouette elevated by delicate lace detailing along the neckline. The dress, a callback to 90s minimalism and old Hollywood boudoir glamour, contrasts with the modern setting, creating a striking visual. The look is completed by her long, dark hair, styled in a simple, straight cascade, and a light, dewy makeup look that emphasizes her natural beauty. The effect is intimate, soft, and completely captivating.
Then, there’s the second look. The lights are off, the set is wrapped, and Beer is seen in a relaxed-fit gray sweatshirt, a timeless casual staple. It’s a look that’s all about comfort and ease—a stark contrast to the performative glamour of the shoot itself. A gold necklace and simple earrings remain, the only lingering hints of the fashion moment that just occurred. The juxtaposition of the two styles—one designed for a specific creative vision, the other for everyday life—is a reminder of the many faces a celebrity presents to the world.
Kendall Jenner debuts a dramatic transformation—a full fringe and new hair color—while casually donning a bathrobe between takes for a photoshoot in Pasadena.
In the world of celebrity style, few things capture the imagination quite like a radical hair change. We’ve seen them all—the sudden pixies, the bleach-blonde shocks. But Kendall Jenner’s latest look, captured behind the scenes of a photoshoot in Pasadena, is a different kind of reveal. It’s the moment of transition, of high-fashion pretense meeting a moment of mundane reality.
Jenner is pictured in a simple gray bathrobe, a universal uniform of pre- and post-shoot relaxation. The robe, tied at the waist with a matching sash, has a classic shawl collar with dark piping—a subtle detail that gives it a slight air of old Hollywood luxury. She’s holding a green smoothie in one hand and her phone in the other, a visual that is both perfectly of the moment and completely relatable.
But the real story is her hair. Long, dark, and sleek, it falls past her shoulders in a cascade of glossy waves. Most striking, however, are the new bangs—a full, blunt fringe that frames her eyes and completely alters her face. Paired with oversized sunglasses, the look is pure 70s rockstar. The transformation from her signature center part is so complete it’s almost jarring, a testament to the power of a well-crafted wig.
This look isn’t about the outfit —it’s about the artifice, the magic of the transformation itself. It’s the visual of a high-fashion model at her most un-styled, yet still in character, still holding onto the very last vestiges of the persona created for the camera.
