Bodhi Rae Breathnach wore a sheer floral peplum dress with socks and pastel heels at the Shelter UK premiere in London on January 20, 2026.
At the UK premiere of Shelter on January 20 in Leicester Square, Bodhi Rae Breathnach showed up like a dream caught mid-bloom. Her outfit looked like something plucked gently from a watercolor palette. The structure? A sleeveless sheer green floral midi dress , layered softly at the waist with a peplum flare, the kind that floats more than it flares. Faint blooms in cream and sky blue blurred across the fabric like pressed petals.
Her choice of styling kept things childlike without being costume. White socks with scalloped trim peeked above a pair of lilac heels , low and round-toed with a gold strap detail—a reminder that whimsy, when done right, doesn’t need to apologize. Her hair was parted to one side in long loose waves, grounded by a tiny white barrette clipped at the temple. No statement earrings. Just small gold jewelry here and there—a chain, a bangle—that felt like it could’ve come from a jewelry box passed down through cousins.
The tone wasn’t loud or rebellious. It didn’t compete with the carpet. It whispered. And sometimes, especially on a red carpet full of velvet and volume, whispering is the most interesting thing you can do.
Dasha wore a black leather midi dress and strappy studded sandals to the 2026 Spotify Best New Artist Party in West Hollywood on January 29.
At Spotify’s 2026 Best New Artist bash in West Hollywood, Dasha leaned into straight-line attitude with a look built around texture and fit—no fuss, all impact. The dress: a black, fitted leather midi , thin straps, V-neck, and minimal detailing. No belt. No pleats. Just a crisp center seam running top to hem, anchoring the silhouette like a spine.
On her feet? Black strappy heels , wound gladiator-style up to mid-ankle and peppered with silver studs—subtle assault energy, softened by a glossy finish. The hardware echoed in her accessories: stacked bracelets, small rings, and a gold cross necklace that glinted just enough under the flash. Her small clutch, black and unbranded, didn’t try to make a statement—it worked like punctuation.
Hair was long and wavy, parted to the side, heavy at the ends. No loud makeup. Lots of lashes, mauve lip, done. It was the kind of event appearance that says, I dressed for this without a team of stylists yelling across the room. It was clean, confident, pared-down armor. Once again, leather proved it doesn’t have to scream—sometimes it just smirks and walks in.
Rebecca Black wore a sleeveless black dress with tan lace-up boots to the ASCAP Grammy Brunch at the Four Seasons in Los Angeles.
At the ASCAP Grammy Brunch held January 30 at the Four Seasons in Los Angeles, Rebecca Black arrived in an outfit that didn’t beg for attention—it sidestepped into sharpness instead. The silhouette was simple: a sleeveless black midi dress with a softly flared, asymmetrical hem and clean paneling across the waist. Running straight down the front? A line of bold white buttons—not functional, just enough to punch contrast into a sea of muted black.
She paired it with tan lace-up knee boots —wide set, rounded toe, slightly retro. They weren’t elegant. They were sturdy. Played against the dress’s tactile softness, it created enough friction to keep you staring. No necklace, no earrings. A black oversized tote on one arm. Round oversized black sunglasses covering half her face. And the finishing touch: a black beret sat slightly askew, intentionally so. Paris café meets LA brunch circuit.
It wasn’t red carpet costume. It wasn’t trending. Her tattoos peeked out quietly across both arms, unfussy and unsmoothed. This was fashion as attitude—not volume. Dressed like she knew brunch is still public, still performative, still worth showing up tailored.
