Brooks Nader wore a black backless halter top with wide‑leg denim and black heels during her late‑night arrival at Chateau Marmont on January 24 2026.
The Los Angeles evening light hits the cobblestones just so as Brooks Nader slides out of a car and moves quickly through the crowd outside Chateau Marmont . Her outfit is quiet but deliberate: a black backless halter top exposing her shoulders, high‑waisted light wash jeans with raw hems, and black stilettos that lift the silhouette into something sharper than casual. She carries a compact dark leather clutch , and a fur stole draped loosely across one arm swings with each step.
There’s nothing ornamental in how she wears it—just a balance of softness and edge that fits the easy disorder of Hollywood’s night scene. The jeans aren’t ironed; the fur is real or not, but it moves like memory, light against motion. Her hair falls in soft waves, echoing the relaxed glamour that defined L.A. cool long before paparazzi flashbulbs made it an aesthetic. The entire look sits somewhere between deliberate indifference and pure confidence, the core of celebrity street style .
Teyana Taylor wore a Schiaparelli shearling bomber, lace-up pants, Keyhole Western ankle boots, and a Mini Face Bag in Paris on January 25, 2026.
On January 25, 2026, in Paris, Teyana Taylor stepped out in a look that reads like warmth first, attitude second (but only by a hair). The top half is dominated by a Schiaparelli short bomber with stand-up collar in taupe, teddy-shearling texture , pulled up high so it nearly swallows her neck and jawline. On the face: Schiaparelli sunglasses with a sharp, spiky-lash silhouette that turns “hiding from cameras” into an actual styling decision.
Leonie Hanne wore a short Schiaparelli fur bomber, asymmetrical skirt, and matching ankle boots at the brand’s Haute Couture show in Paris on January 26 2026.
On the marble steps outside the Schiaparelli Haute Couture show, Leonie Hanne appears sculpted in neutral tones and tightly controlled textures. She wears a Schiaparelli short bomber with a stand‑up collar , plush and voluminous, zipped up just high enough to catch the winter air. The asymmetrical skirt , also Schiaparelli, slices diagonally across her figure—architectural but still soft. Every line meets at her Keyhole Western ankle boots , suede and grounded in tone with the rest. Her Bijoux Secret bag , structured and heavy with gold hardware, dangles casually from one hand.
The palette—muted taupe, sand, and stone—lets the geometry speak louder than the color. The look feels like Schiaparelli in conversation with utility: belts, zippers, exaggerated sleeves tempered by precision tailoring. It has that tension between fashion’s theatrical instinct and Paris’s pragmatic restraint. As guests swirl by in brighter couture, Hanne’s version of boldness is quieter—weighty fabric, deliberate cut, no need for shimmer.
