Brooks Nader wore a leopard-print coat with platform boots while heading to dinner at Matsuhisa in Aspen on December 27, 2025.
Brooks Nader stepped out in Aspen, December night slick with rain, sidewalk shining. Leopard-print coat sweeping long, black gloves cutting into the look. Underneath, dark layers hidden, swallowed by the print.
Platform boots — high, heavy, almost clumsy. They gave her stride weight, a kind of frozen grit. And then the clutch. Red, small, sharp. A punctuation mark against the animal chaos.
It’s melodramatic even. Coat too loud, boots too blunt, clutch too strident. Yet together, they carried rhythm. A dinner look turned into spectacle.
Dakota Johnson wore Lululemon leggings, a Calvin Klein cap, and Nike sneakers after a post-Christmas workout in Studio City on December 27, 2025.
Dakota Johnson, Studio City sidewalk, December 27. Post-Christmas workout glow still clinging. Black sports bra, leggings pulled high, body framed in Lululemon’s sculpted lines.
Cap low — Calvin Klein monogram stitched across it, a quiet flex. Sunglasses oversized, Oliver Peoples x Khaite, shielding but also declaring. Adidas socks, logo loud, tucked into Nike V2K sneakers, blue and white, almost cartoonish against the black uniform.
She carries a T-shirt, Paris Texas movie print , dangling like an afterthought. A prop, maybe, or just laundry. The gesture feels lived-in, imperfect, almost clumsy.
It’s casual chic, but also bombastic in its branding. Every piece named, every logo visible. Too strident? Maybe. Yet together, it works. A paparazzi frame turned into a catalogue of off-duty fashion.
Not just a workout exit. More like a reminder that even sweat and sunlight can be styled — logos stitched into routine, presence turned into spectacle.
Erin Doherty wore multiple layered and tailored outfits for The Observer Magazine photoshoot in December 2025.
Look One
Erin Doherty in a brown oversized jacket. Navy shirt underneath, collar sharp, white against the darkness. A skirt, socks pulled high, cream heels almost too polite. The “miu” lettering peeks out — Miu Miu, cheeky branding slipped into the frame. It’s heavy, layered, almost scholastic. A uniform undone.
Look Two
Black top, blue collar, cuffs crisp. And then — the skirt. A shirt repurposed, buttons turned into flare, fabric caught mid-motion. She leans forward, smiling, hands on hips. Playful, almost foolish glamour, but alive.
Look Three
Double-breasted blazer, plaid skirt, boots climbing to the knee. Earrings swing, oversized, catching light. She moves — leg lifted, arms bent, body in motion. A dance disguised as tailoring.
Look Four
Brown leather jacket, oversized, zipped and pocketed. White shirt underneath, denim grounding the look. She sits, elbows bent, hands on thighs. Assertive, almost confrontational. The lighting carves her face, the leather gleams.
