Brooks Nader wore a red fitted loungewear set with UGG slippers after dinner at Wally’s in Beverly Hills on January 27, 2026.
Leaving Wally’s in Beverly Hills on January 27, Brooks Nader stepped out looking like she never intended to dress for dinner—and accidentally nailed it anyway. It’s comfort-core with a side of stealth style.
She wore a deep crimson two-piece set that sat somewhere between loungewear and athleisure. The matching long-sleeve crop top hugged close without clutching anything too tight. Sleeves extra long, thumbhole peeking. The high-rise leggings—same tone, same fabric—fit soft but close, flaring slightly at the bottom. Not performance-ready, but definitely not pajamas either.
On her feet: tan suede UGG slippers , lined with shearling, signature exposed fluff pouring out the top like a soft flex. The move says “I’m warm, and I really don’t care.” She carried a structured dark grey handbag, luxe and angular—a power piece dropped into a slouchy context. Hair was down in loose waves, ultra-blonde, a little brushed out but still bouncy. No obvious makeup, no layered accessories, no gimmicky styling. Just… her.
Adele Exarchopoulos wore an oversized black suit and diamond necklace at the De Beers boutique opening in Paris on January 27, 2026.
At the De Beers boutique opening in Paris, Adele Exarchopoulos didn’t show up to sparkle—she showed up to smolder. And frankly, the setting did the rest. Standing against the glowing windows of Place Vendôme, she posed in a look that whispered danger more than diamonds.
Her outfit? A commanding oversized black suit. Tailored in that purposely undone way—blazer shoulders just sharp enough, the sleeves long enough to graze. The pants wide, pooling casually past her shoes, hidden from view. It swallows her figure in shadow without erasing it, the kind of silhouette that feels cinematic, not borrowed. Beneath, a glimpse of a sheer black layer peeks out—perhaps a mesh tank or a barely-there camisole. Just enough layering to disrupt the uniformity.
Then come the pieces that grab light like claws. A sharp, diamond-encrusted lariat-style necklace cutting straight down the center of her chest—modern and unapologetically cold. Nothing dainty. Maybe De Beers, definitely intentional. Her hair is slicked back, no wave, no distraction. Clear skin, flushed lips, groomed brows—like she’d walked out of a noir frame and hasn’t blinked since.
Kendall Jenner wore a Chanel Pre-Fall 2026 orange sequin dress with cap-toe slingbacks outside the Tonight Show in New York on January 28.
Outside the Tonight Show taping on January 28, Kendall Jenner stepped into Midtown like a high-gloss hallucination—equal parts cartoon shimmer and couture control. There’s something about a Chanel dress that stops pretending to be elegant and just goes for brilliance.
She wore a form-fitting sheath from Chanel Pre-Fall 2026 , built entirely from a dense flood of lacquered orange sequins that mimic bubble wrap with a vengeance. That texture—circular, candy-coated, a little absurd—catches light in every direction. The black chevron striping slashes across her torso in symmetrical patterns, tapering down vertically like tiger stripes and pulling tight at the waist. The edge of the hem frills out just slightly, puckered, giving a strange sugar-rimmed finish. Think tiger-meets-Tamagochi.
