Bruna Marquezine wore a long white textured dress with a tiered abstract skirt and black Chanel Spring 2026 pumps at the Chanel Haute Couture Show in Paris on January 26, 2026.

At the Chanel Haute Couture Spring/Summer 2026 show in Paris on January 26, 2026 , Bruna Marquezine brought quiet precision to one of the season’s most anticipated moments. She wore a Chanel Spring 2026 dress that combined contrast in both texture and tone. The upper half—a fine, ribbed knit in a muted ivory hue—fell close to her frame, long‑sleeved and modest but with subtle sheen that caught the light. Below, the tiered skirt unfolded in bold painterly layers of cream, crimson, and onyx abstract prints, the kind of fabric that moves even when still.

Her shoes— Chanel Spring 2026 pumps in black patent—peeked beneath the volume, mirroring the darker shades embedded in the skirt. She finished the ensemble with gold and pearl drop earrings , soft waves in her hair, and a neutral beauty look: polished skin, muted tones, and a soft pink lip. The setting’s pastel backdrop, dusted with pink leaves and evening light, turned her into part of the composition rather than placed before it.

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Pamela Anderson wore a custom Ferragamo all‑white ensemble paired with Pandora Lab‑Grown Diamond jewelry on the Golden Globes 2026 red carpet in Beverly Hills.

At the Golden Globe Awards in Beverly Hills on January 11, 2026 , Pamela Anderson arrived with her signature blend of ease and control. She wore a custom Ferragamo look —a long, minimalist white outfit built from a structured blouse and floor‑length skirt. The crisp pleated top , tucked neatly into a high‑waist column skirt, created alignment between softness and structure, offering a near‑architectural silhouette. The sleeves, long and gathered at the wrists, played gently with proportion while preserving simplicity.

Her choice of accessories was deliberate: a Pandora Lab‑Grown Diamond necklace and matching earrings framed the neckline, catching light without overt shimmer. The hair was pinned into a soft updo with a few strands loose, bringing ease to the clean lines of the outfit. Anderson’s makeup felt subdued—nude tones, sheer textures, a trace of peach around the lips—the kind of optical calm that makes every design element breathe.

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Topaz Zilberman wore a soft ruched pink two‑piece set while standing by the ocean at sunset, creating a tranquil and romantic image.

At the edge of the fading day, Topaz Zilberman was photographed on a quiet shoreline, illuminated by the last curve of light over the water. She wore a pale pink two‑piece set made of gently ruched fabric, the top with fine straps and gathered seams, the skirt draped and cinched through the hips before softening into the sand beneath her. The look balanced softness and precision—deliberate yet effortless, much like the stillness of the ocean behind her.

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