Camila Morrone wore an Aflalo leather jacket, silk-tweed midi dress, and knee-high boots while leaving NBC Studios in New York on January 28.
Leaving NBC Studios in Manhattan on January 28, Camila Morrone didn’t need a flash or a statement piece—because she had motion. She was moving, the look was moving, and every part of it felt like it had been cut to glide.
She wore an Aflalo Zadie jacket in leather , deep black, oversized in the shoulders, with the collar flipped high like armor. It hit wide across the back and tucked neatly at the waist. Underneath that: the soft drop of The Row’s Violetta midi dress , in what appears to be a black silk-tweed blend. The hem swayed gently with her stride, hitting mid-calf with an asymmetric cut so subtle it reads “refined,” not “designy.”
Paired with those? Khaite Bella knee-high boots in glossy black leather, with an almond point and just enough heel to tilt the balance forward. The entire silhouette—that jacket’s structure against the softness of the dress, against the polish of those boots—was a study in movement and contrast.
Hair: loose, barely styled, fallen over the shoulders like it got caught in the city wind and stayed like that on purpose. Skin looked fresh—no caking, just a base of radiance. Thanks to a full roster of Chanel skincare and makeup staples , the glow was real but controlled: warm blush, balanced lip (Chanel Rouge Allure 60 Intemporelle, if we’re going there), feathered brows, and a bare flick of mascara.
And that was it. No big handbag. No logos screaming. Just fabric, fit, and someone who knows how to leave a building like it’s part of a long shot.
Charli XCX wore a black tank, Saint Sass logo tights, and leather shorts to The Moment after-party in Los Angeles on January 29, 2026.
Coming off the sidewalk and straight into the chaos of The Moment’s hot-ticket after-party in Los Angeles, Charli XCX leaned into sheer attitude over polish—showing up like someone who knows how to command the dark without dressing for the flash.
She wore a nearly brutalist black tank top —cropped but not tight, ribbed but not delicate. No styling tricks, no layers, no bra straps fighting for hierarchy. Just a clean scoop and a brash silhouette. Paired with R and M Leather Tammy micro shorts , unapologetically low-rise and high-shine—nothing couture, nothing precious, just leather meant to hold its own under neon and noise.
Her legs were the headline, though: encased in Saint Sass custom “The Moment” statement tights , sheer black and emblazoned with her own mood. They whispered brand but shouted intent. Charli XCX does not wear tights to fade into the corner. She pairs them with Christian Louboutin Miss Z pumps , razor-tipped and slick as vinyl.
A thick long faux-fur coat , bleached shag and swinging off one arm—more prop than layer. In one hand, a phone. In the other, power. Her hair was loose and glassy, eyes angled behind Off-White Bologna black-framed sunglasses that didn’t leave her face all night.
This wasn’t dressing to be admired—it was dressing to be seen doing something you maybe shouldn’t be.
Kate Ritchie wore black bike shorts, a relaxed T-shirt, and sneakers while walking her dog in Sydney’s Centennial Parklands in January 2026.
Spotted in Sydney’s Centennial Parklands on January 29, Kate Ritchie didn’t dress for the camera—she dressed for the sun, for the dog, and let comfort cover the rest.
She wore a completely unbothered black-on-black combination : fitted bike shorts reaching mid-thigh and a slightly oversized T-shirt with a soft crew neckline and roomy sleeves. It wasn’t styled. It was lived in. Fabric moved with her, not against her. There’s not a stitch of branding in sight—no logo flashing, no forced sport-core agenda. Just clothes that breathe.
Her sneakers— black with blue-green detailing —look broken in, maybe a few hundred dog-walks past new. Not pristine, but clearly used with intent. Function first. A slim black baseball cap tucked most of her face in shade, with her hair looped into a low pony poking through the back. On her wrist, one practical fitness watch , possibly a tracker band. On the other: a thick pink leash , trailing a floppy-eared spaniel with its tongue out like it owned the sidewalk.
She moved casual, head down, leash in one hand, phone in the other. Not ducking attention, just moving through it. No curated vibe. Just everyday ease that doesn’t apologize for being normal.
