Supermodels Candice Swanepoel and Joan Smalls are the faces of Anne Klein’s Fall 2025 campaign, celebrating the elegance of women who uplift each other. The real-life best friends showcase tailored separates and chic accessories, proving that the most powerful accessory is friendship.
Ah, there is nothing quite like a well-tailored suit. It’s an unspoken language, a nod to both masculine power and feminine grace, a concept my nonna first taught me as a child, showing me photos of her in impeccable suits from the ’50s. And now, seeing Candice Swanepoel and Joan Smalls in the new Anne Klein campaign for Fall 2025… it feels like that same spirit, but with a thoroughly modern, very New York twist. It’s not just fashion; it’s a statement about solidarity, about women celebrating women.
Isabela Merced and her sister flaunt casual chic and coordinating looks at the Shakira: Las Mujeres Ya No Lloran World Tour. We break down the ’90s-inspired street style looks and analyze the subtle nods to sisterhood and Y2K fashion.
There is an art to concert style, a delicate dance between expressing your personal flair and honoring the artist you’ve come to see. A good outfit should feel effortless, comfortable enough to dance in, yet cool enough to be captured by a sea of flashing phone cameras. And last night, at Shakira’s Las Mujeres Ya No Lloran World Tour at SoFi Stadium in Inglewood, California, Isabela Merced and her sister, Gypsy, executed this art form with a quiet, confident cool that felt both nostalgic and utterly now.
Jenna Ortega brings a moody, silk-drenched elegance—part cyber romance, part unexpected rebellion—to her Late Night with Seth Meyers appearance, leaving us questioning fashion’s next frontier.
The air crackled with anticipation as Jenna Ortega settled into the iconic desk-side chair, her presence a visual jolt against the cityscape glow. This wasn’t just another late-night stop; it was a masterclass in understated drama. The outfit—a flowing, champagne-hued silk gown by an emerging designer (unconfirmed at press time)—draped her frame with a liquid grace, its strapless cut and asymmetrical hemline whispering both red carpet poise and everyday life rebellion. The fabric caught the studio lights, a shimmer that felt alive, almost defiant.
