Cardi B carried a rare green Hermes x Jean Paul Gaultier bag worth $120,000 while out ahead of Christmas 2025.
Cardi B reclines on a cream leather couch, fur spilling around her like molten gold and bronze. The coat is heavy, lavish, almost melodramatic even. Black heels stab the floor, leggings sleek, a silhouette sharpened against the plain wall. And then the bag. Green, crocodile leather, Hermes x Jean Paul Gaultier, rare enough to feel mythical. Only ten exist. Price tag? $120,000.
The scene is stripped down. No ornate backdrop, no crowd. Just textures: fur, leather, hair, gloss. The opulence risks absurdity, but that’s the point. Bombastic at the same time as intimate. A woman lounging, but also performing.
There’s grit in the glamour. Foolish excess, maybe, but alive. The bag becomes a symbol, the coat a curtain, the couch a stage. Cardi doesn’t hide the spectacle — she leans into it, lets the excess speak.
Not just an accessory. A vignette of power, drawn in fur and crocodile leather, where fashion is possession, theatre, and provocation all at once.
Emma Brooks attended the Stella McCartney fashion show in Paris on September 30, 2025, wearing a suede jacket and patchwork pants.
Emma Brooks walked into Stella McCartney’s Paris show dressed like she had borrowed the city’s grit and stitched it into her clothes. Brown suede jacket, half unzipped, a flash of midriff. Patchwork pants — denim and suede colliding, rough edges turned deliberate. Platform shoes heavy, almost clumsy, but that weight gave her stance a kind of stubborn charm.
She carried a suede bag, matching, not subtle. The industrial backdrop — pipes, pallets, grated floor — made the outfit feel less polished, more lived-in. It wasn’t glamour in the traditional sense. More like a lavish mess, a look that leaned into imperfection.
There’s something raw about it. The jacket too casual, the pants too busy, the tones too brown. And yet, together, they worked. A strange harmony, bombastic at the same time as understated. Brooks didn’t hide the awkwardness — she leaned into it, let the textures speak.
Not just an event look. A vignette of front row fashion, drawn in suede and denim, where style is theatre, grit, and personality all at once.
Kylie Jenner wore a glossy black latex dress with open-toe heels during a photoshoot on December 26, 2025.
Kylie Jenner against a white wall. Nothing but emptiness behind her, a void that makes the black shine harder. The dress — latex gloss, plunging neckline, straps thin as whispers. It clings, it reflects, it almost squeaks in the imagination.
Her hair pulled back, bun tight, severe. Makeup heavy, eyes shadowed, lips dark. She tilts her head, one side angled, a gesture that feels both rehearsed and careless. The shoes, open-toe, black, sharp. They ground her, but only barely.
It’s glamour, but not soft glamour. Frozen glamour. A look that feels bombastic and minimal at the same time. Too strident, maybe. Too stiff. But striking anyway. The backdrop is sterile, the pose rigid, the gloss almost foolish. And yet — together it works. Gloss against void, body against blankness.
