Carolina Cavalli turned a rainy red carpet into a cinematic fashion moment—her silver beaded gown shimmered through the drizzle like a scene from a noir dream.
There’s something undeniably poetic about elegance meeting the elements. At the ‘Jay Kelly’ premiere during the 82nd Venice International Film Festival, filmmaker Carolina Cavalli didn’t just walk the red carpet—she weathered it. And in doing so, she delivered one of the festival’s most visually arresting moments.
Rain at a premiere usually spells disaster for couture. But Cavalli’s look? It thrived in it. The droplets clinging to her silver beaded gown added a layer of texture no stylist could plan—like nature itself was part of the styling team.
Her dress, a silver masterpiece with intricate beading and a plunging neckline, was pure red carpet alchemy. The thin straps and fluid silhouette gave it a delicate, almost liquid quality, as if the gown was melting into the night. Though the designer remains unconfirmed, the craftsmanship echoed the meticulous handiwork of Elie Saab or Jenny Packham—labels known for their ability to make shimmer feel soulful.
In an era where red carpet appearances are often overproduced, Cavalli’s moment felt refreshingly raw. It was a reminder that fashion isn’t just about control—it’s about presence. Her look nodded to the resurgence of 1930s glamour, reinterpreted through a modern lens of minimalism and mood.
Never one to shy from a powerful statement, Sydney Sweeney unveils the latest Jimmy Choo campaign, cementing her status as a fashion force (and main character) with a series of looks that blend fierce glamour with effortless chic.
In a campaign that blurs the line between high-fashion fantasy and the backstage reality of an A-lister’s life, Sydney Sweeney effortlessly inhabits a cast of characters. The images, which read like a fashion editor’s dream, showcase her ability to sell not just a shoe or a bag, but an entire mood. It’s a testament to the transformative power of accessories.
Maryam Touzani brought quiet magnetism to Venice—her sleeveless floral dress at the ‘Calle Malaga’ photocall whispered elegance, not spectacle, and that’s precisely the point.
There’s a certain kind of fashion moment that doesn’t scream for attention—it simply holds it. At the 82nd Venice International Film Festival, Moroccan filmmaker Maryam Touzani arrived for the ‘Calle Malaga’ photocall in a look that felt like a breath of late-summer air: crisp, romantic, and quietly assured.
Touzani’s sleeveless white dress, adorned with a soft pink and gray floral pattern, offered a masterclass in understated femininity. The fabric, likely a lightweight cotton or silk blend, moved with ease—no stiffness, no excess. Its silhouette was clean and columnar, skimming the body without clinging, and the neckline was modest yet modern. While the designer remains unconfirmed at press time, the aesthetic leaned toward the refined minimalism of brands like Chloé or Altuzarra—labels known for their poetic restraint.
