Carolina Crescentini wore a cropped black blazer and a vivid blue satin slit skirt at the Things Unsaid photocall in Milan 2026.
At the Cinema Colosseo in Milan, Carolina Crescentini attended the “Things Unsaid” photocall wearing a sharp, color‑blocked combination that walked the line between polish and play. Her structured black blazer framed the shoulders neatly, cutting off just at the waist. Below, a gleaming blue satin skirt cascaded in folds and curves, high‑slit on one side—its surface catching light, shifting between cobalt and electric tones as she moved. A white mini handbag with gold hardware and black open‑toe heels kept the base clean and steady.
Michelle Hunziker wore a black sequined blazer with sheer tights and tall leather boots at the Things Unsaid photocall in Milan 2026.
At the Cinema Colosseo in Milan, Michelle Hunziker attended the “Things Unsaid” photocall wearing an outfit that merges the ease of confidence with a touch of night‑ready shine. She chose a black mini blazer dress —cut sharp but softened by shimmering sequined panels that caught flashes of light. Underneath, sheer black tights gave her look a city‑edge polish, while knee‑high leather boots added power and height. The hair, glossy and straight, fell casually around her shoulders.
This wasn’t pretense or full glam—it was something steadier. The kind of look that doesn’t beg for the red carpet but still claims it quietly. The balance between the slightly oversized jacket silhouette and the boots’ sculptural shape makes the ensemble feel modern, even a bit playful. It’s one of those appearances where structure replaces sparkle as the main statement, though here, both live comfortably together.
Francesca Barra wore a black tailored suit with a white shirt and striped heels at the Things Unsaid photocall in Milan 2026.
At the Cinema Colosseo in Milan, Francesca Barra arrived for the “Things Unsaid” photocall in a precise and unfussy look—one that felt composed yet approachable. She wore a black suit with silk‑lapel blazer and matching straight trousers , anchored by a crisp white shirt left slightly open at the collar. The mood was formal but not stiff. Her metallic clutch glimmered faintly against the matte fabric, while striped pointed heels added a quiet rhythm to the ensemble.
This is red carpet fashion stripped of theatricality. Instead, it leans into clarity. The tailoring recalls that moment in contemporary dressing where power suits stopped pretending to be subversive and simply became clothing—comfortably authoritative, matter‑of‑fact. Her hair, softly waved to one side, and understated makeup keep everything in calm dialogue with the outfit’s geometry.
