Caroline Elle Abrams wore a pale yellow cut-out gown with floral detailing at a formal indoor event in December 2025.
Caroline Elle Abrams appeared in a formal indoor setting in December 2025 , wearing a look that fused classic elegance with sculptural softness .
Her pale yellow gown , sleeveless and floor-length, featured a central floral embellishment at the chest and a cut-out detail just below it — a design that balanced romanticism with architectural clarity. The fabric’s smooth drape and muted tone allowed the floral accent to serve as both focal point and punctuation.
She paired the gown with white open-toe heels , understated yet effective in maintaining the ensemble’s tonal harmony. Her long, wavy brown hair softened the silhouette further, adding movement and warmth to the otherwise composed styling.
Ilyun Burkev wore a black blazer and white top at a waterfront balcony overlooking an industrial harbor in December 2025.
Ilyun Burkev appeared on a waterfront balcony in December 2025 , wearing a look that balanced urban sharpness with contemplative restraint .
Her outfit — a black blazer layered over a white top — was a study in monochrome clarity. The blazer’s tailored structure framed her silhouette against the industrial sprawl behind her: cranes, tanks, and shipping containers. The white top softened the composition, introducing contrast without disrupting the visual rhythm.
FKA Twigs wore multiple editorial looks in Rolling Stone UK’s December/January 2026 Awards Issue.
FKA Twigs commands the Rolling Stone UK Awards Issue for December/January 2026 , delivering a multi-look editorial that fuses performance armor, spiritual duality, and post-human sensuality .
Throughout the spread, Twigs reflects on identity, embodiment, and emotional visibility. She speaks of dancing as surrender:
“I always think when I dance, I look so crazy… it’s whatever feels good.”
She also confronts archetypes:
“I’m the Virgin and the Whore, and my work speaks of that.”
Her album EUSEXIA emerges as a spiritual and sonic reckoning — born from rave anonymity in Prague, shaped by emotional healing, and now reclaimed through major-label autonomy. Twigs’ words echo through the layout like choreography:
“We do have darkness in our hearts, and we do want to destroy.” “We all deserve… to observe how other people are feeling.”
These quotes aren’t just editorial flourishes — they’re styling cues , guiding the garments toward narrative embodiment.
