Catherine Zeta-Jones, an icon of effortless glamour, unveils her latest reinvention on the cover of The Sunday Times Style, trading fairytale gowns for a stunning, crimson-hued leather trench—a bold, visceral statement of sartorial power.
There’s a reason certain faces become synonymous with an era. For Catherine Zeta-Jones, it was the late ’90s, a period of cinematic opulence and sleek sophistication that she defined with a whisper-light touch of Old Hollywood magic. But the latest issue of The Sunday Times Style proves that nostalgia is not on her agenda. The cover is a visual jolt, a statement that says, “This is not your mother’s Catherine.”
The image captures Zeta-Jones seated in an inviting, burnt-orange armchair, her posture a mix of relaxed confidence and undeniable allure. The main event? A jaw-dropping red leather trench coat that drapes over her frame like a second skin. Its color is a rich, almost blood-red—a far cry from the delicate florals or classic black she’s often seen in. This is a look of absolute authority, of a woman fully in command of her narrative. The silhouette is at once structured and flowing, with a sharp, tailored collar and a fluid skirt that pools around her. It’s a powerful, almost primal choice—a Velvet Rebellion indeed.
The full-length image on the cover (page 1) shows her legs crossed, revealing a high slit and a pair of equally striking, sheer brown-and-gold heels. The shoes, with their delicate straps and pointed toes, add a layer of feminine vulnerability to the otherwise formidable look. A quick glance at the article (page 11) confirms the outfit’s high fashion pedigree, with credits for the Chanel jacket, trousers, and accessories. Zeta-Jones, in the accompanying interview, talks about her fashion evolution, a process she describes as “just a feeling.”
Beyond the leather, the editorial’s fashion story extends to a series of archival images that place the star in different contexts—from her early career in “The Darling Buds of May” to her role in “The Mask of Zorro.” The text details her career trajectory and her life with Michael Douglas. The article (page 16) also touches on her family, including her children, Dylan and Carys, and her late father-in-law, Kirk Douglas, highlighting her deep connections to both her personal life and her career.
In the interview, Zeta-Jones references her character Morticia Addams in the Netflix series “Wednesday,” describing her as “very glamorous and very fashionable.” This role, she notes, offered a new kind of “rehabilitation” and a departure from her previous work. She also mentions her ongoing collaboration with director Tim Burton, a partnership that seems to have reignited her creative spark.
Styling credits, including photography by James D Kelly and styling by Marian Nachmia, ensure every detail feels intentional. The editorial is a masterclass in re-branding, using fashion as a tool to signal a new chapter. Zeta-Jones’s choice to embrace a bolder, more assertive aesthetic feels like a natural progression—a star no longer playing a part, but owning her own spotlight. The entire spread is a testament to her enduring appeal and her ability to adapt and reinvent her image without losing her core identity.
Chase Sui Wonders attends the Apple TV+ x Deadline event in Los Angeles, unveiling a playful, schoolgirl-inspired look that defies red carpet convention with charming ease.
The red carpet—or in this case, a scarlet-hued photo call backdrop—has a way of demanding a certain kind of gravitas. Gowns, trains, glittering finery; the expectation is often a dramatic spectacle. So when Chase Sui Wonders stepped onto the scene for the Apple TV+ x Deadline: “The Studio” panel, she offered a refreshing, almost whimsical counter-point to the usual fanfare. Her look was a delightful and unexpected sartorial choice, a playful nod to a kind of prep-school chic that felt both fresh and timeless.
The dress itself is a study in texture and playful proportion. A sleeveless, charcoal grey mini-dress crafted from a structured, tweed-like fabric forms the core of the silhouette. What makes it a standout is the intricate detailing: a soft, delicate bow tied at the high, halter-style neckline introduces a touch of softness, while the pleated skirt flares out from a defined waistline. A whisper of white fabric peeks out from beneath the hem, adding a layered, almost petticoat-like dimension that gives the entire ensemble a buoyant, youthful energy. It’s an interesting juxtaposition of serious fabric and sweet, girlish design.
Wonders paired the dress with a starkly modern set of accessories. Her crisp, white pointed-toe heels were a sharp, clean contrast to the textured gray of the dress. The shoes felt intentional, a sleek architectural element that anchored the look. Her hair was styled in a chic, chin-length bob with a soft wave, and her makeup was kept dewy and natural, allowing her radiant complexion to take center stage. The styling was a perfect fusion of polished and unfussy, a narrative of quiet confidence. She wears a few delicate bracelets and what appears to be a statement ring, adding just a hint of sparkle without overpowering the clean lines of the outfit.
With a new high-fashion magazine cover, Addison Rae debuts a sartorial evolution—proving that her public persona (and style) are anything but simple.
From social media star to high-fashion darling, Addison Rae has embarked on an undeniable style evolution, and the September 2025 issue of Cool Canada serves as a definitive document of that journey. It’s a visual narrative that proves she’s not just a passing trend—she’s a true style chameleon.
The magazine cover unveils a powerful, almost gothic-tinged aesthetic. Rae is framed by a striking black and silver necklace, its intricate, floral-like embellishments giving a sense of both drama and decadence. This look is a far cry from her early days and perfectly captures her shift toward a more polished, editorial sensibility. Inside the issue, a different side of her style emerges in an ethereal, flowing periwinkle-blue dress. A dress that seems to shimmer with the memory of myth, its delicate details and soft silhouette provide a beautiful counterpoint to the edgier cover look.
The feature delves into her rich cultural frame of reference, positioning her as a “Mood Board Queen” with muses spanning eras. The article highlights her inspirations, from the timeless glamour of Marilyn Monroe to the pop rebellion of Britney Spears. It even touches on her high-fashion milestones, including her 2024 Vogue France cover story. Ultimately, this September issue of Cool Canada proves one thing: Addison Rae isn’t just a star of a moment—she’s a style chameleon who’s just getting started.
