Chantel Jeffries wore a deep violet satin midi dress with a plunging neckline and silver strappy heels at Casa Velocity Black in Los Angeles.
Inside Casa Velocity Black in Los Angeles, away from the crowd noise and closer to the mirrored walls, Chantel Jeffries stood steady—right hand resting on beige lattice, eyes soft, but pulling light like chrome.
She wore a plum purple satin midi dress —the kind of violet that reads richer under yellow bulb light. The fit was body-skimming, but not tight. More like suggested tension. Shoulders structured but not uptight, sleeves long and ruched at the wrists. Fabric clung then fell. The neckline? Extremely low. Framed exactly to the sternum. Blunt, unapologetic, clean.
Footwork came in cool contrast: silver strappy heels , barely-there with just enough laces to keep shape. Legs bare, no tights, no shimmer, no fuss. Hair loose, full glass-blowout, parted in the middle. Jewelry barely noticeable—just a couple of rings and small hoops, maybe? She didn’t over-sell anything. The movement of the dress against light did enough.
One pose. One color. That corner belonged to her.
Narinder Kaur wore a white sequin cutout dress with balloon sleeves at the TV Choice Awards 2026 in London.
At Hilton Park Lane in London , Narinder Kaur appeared at the TV Choice Awards 2026 cutting a bold silhouette in a pristine white ensemble with late-night glam undertones. Her dress—cut from subtly shimmering white sequin fabric —features a plunging V-neckline, dramatic bishop sleeves , and an artful midriff cutout anchored by a large circular embellished clasp. The fit is body-skimming but not overly tight, ending around mid-calf, and complemented by transparent high-heeled pumps that add barely-there structure. A pair of bold crystal hoop earrings and dark-polished nails round the look off with just enough edge. This is red carpet fashion built for flashbulbs, minus the fuss.
There’s a lived-in joy here—something distinctly early-2000s but stripped of excess. The sparkle reads less cocktail-glam and more like Nora Ephron-on-Holiday: fitted, punchy, and self-aware. It hints at red carpet nostalgia without leaning into costume, especially in an era where quiet luxury often smothers personality. At an event like TV Choice—celebrating broad appeal—this look leans into exactly that: the visual optimism of shows you’ve grown up with.
The clarity of this look lies in its silhouette control. The plunge-cut bodice paired with exaggerated sleeve volume injects theatricality, but it’s the centered jeweled ring—anchoring the otherwise exposed midsection—that delivers the architectural discipline needed to prevent the outfit from collapsing into excess. There’s a sharp understanding of proportions at play. What might seem like dramatic flair at first glance is, in fact, a carefully controlled calibration of volume and curve. Its restraint is what makes it so memorable. The hem sits clean, the sequins catch light without veering gimmicky, and the choice of sheer heels maintains elongation without competing for attention.
Chantel Jeffries and Pilar Zeta coordinated faded blush and plum looks at the Clarins Sugar & Shine Galentine’s Affair in Miami Beach.
At Clarins’ Sugar & Shine Galentine’s Affair in Miami Beach on February 12, Chantel Jeffries and Pilar Zeta arrived like opposite ends of the same wavelength—one sculptural and muted, the other curve-hugging and warm.
Chantel went for impact, no overthinking. She wore a form-fitting burgundy mini dress , sleeveless, with a wide scooped neckline and a center cutout just under the bust—sharp enough to feel styled, but not overstated. The material hugged her exactly, with soft catching shine under warm lighting. Her strappy red heels wrapped up to the ankle. Subtle bling on the wrist, one ring, and a slick of gloss. Hair long, middle parted, shiny as glass.
Pilar, on the other hand, leaned romantic. Deliberately draped in a pale blush-pink dress , long sleeves, rosette details on the shoulders. Soft V-neck. Flowed but didn’t float. The waist gathered loosely , wrapped down into a dropped knotted hem. Her brown pointed heels added understated sharpness. She carried a small mini green handbag —deep teal against the rose, one of the few true color punches in the frame. Her hair: vintage waves, deep side part, tucked behind the ear.
One static-flavored siren. One abstract Valentine. Balanced, unbothered, paired without matching.
