Charli XCX wore a custom Gaultier corset with leather shorts and slingback pumps at The Moment premiere in Los Angeles, 2026.
At the Fine Arts Theatre in Beverly Hills for the Los Angeles premiere of A24’s The Moment , Charli XCX showed up in a look that didn’t ask for attention — it claimed space like a foghorn. Her outfit? Inventive, restrictive, almost wrong — but not quite. A custom piece from Jean Paul Gaultier x Ludovic de Saint Sernin , the look layered metal-hard femininity with a kind of leather-laced edge no one else on that red carpet could’ve gotten away with.
She wore a vintage Alexander McQueen leather bra , domed and sculptural, sitting just over a steel-blue corset laced tight like ribs. The waist cinch was surgical. Below, R and M Leather Tammy micro shorts , barely visible, cropped higher than the hem of the corset itself. Her legs? Encased in sheer black tights, stamped on the thigh in tiny black serif: THE MOMENT — the name of the film, yes, but also the vibe.
Footwear stayed clean: the sharply pointed Saint Laurent Apolline slingback pumps in patent leather , glossy and bluntly elegant. A massive cream-colored faux-fur stole trailed from her hand, ridiculous in volume, practically screaming coat-check drama. But she didn’t wear it — she carried it like a curtain pulled down after a performance. Makeup was muted. Hair worn down, pitch black, unbrushed in the front — like the ’90s walked through a wind tunnel and landed here.
And then there’s the Claude Morady solitaire engagement ring on her left hand. Delicate amidst all this density. A tiny pause in the noise.
Maggie Lindemann wore a sheer striped column dress with strappy sandals to the 2026 Billboard Power 100 event in Los Angeles.
At the 2026 Billboard Power 100 event in Los Angeles, Maggie Lindemann stepped onto the black carpet in something that felt more quiet confrontation than crowd-pleaser. Her choice? A fully sheer black-and-white striped gown , fitted and floor-length, built from a see-through knit structure that clung just enough. No lining, no drama beneath — just visible straps and skin, framed like a scanline from a glitchy VHS tape. It was bold, but the delivery stayed calm.
The silhouette was simple: long sleeves, deep-V neckline, and a straight hem that brushed the tops of her feet. Fine horizontal stripes alternated between slightly reflective white and inky black, banding across her shoulders down through the ankles like a soft armor grid. Underneath, visible black undergarments cut sharply through the illusion — an intentional break in the rhythm. She wore a delicate silver cross necklace , subtle enough to get lost unless you looked twice, and let it fall precisely into that deep neckline like it belonged in that exact spot.
Dixie D’Amelio wore a black mesh dress with appliqué knots at the 2026 Warner Music Grammy Party in Los Angeles.
At the 2026 Warner Music Grammy Party in Los Angeles, Dixie D’Amelio showed up in a look that didn’t whisper or play nice. It was direct. Textural. Almost unfinished — in the best way possible. She wore a sheer black mesh dress , garment more gesture than fabric, embroidered with flocked rosettes and bulbous knots that dangled and clung like unraveling vines. You could see everything. But that doesn’t seem to bother her.
The underlayer — maybe athletic lingerie, maybe just purposeful stagewear — skimmed the body without fuss. No shimmer. No corsetry. The neckline was scooped and soft, the sleeves exaggerated yet light. There was no real structure except the stitching that held it all together. It gave zero interest in being neat. The hems? Raw and high, held up with massive knotted bundles that looked like they were grabbed off a macramé wall hanging. There’s something very “ fashion show guest who also skipped rehearsal” about the styling — and it works.
Hair was cinched high into a slightly ’90s updo that refused to look red carpet-polished. That wispy, pulled-loose effort. And for shoes — pointed black pumps, classic, safe even. A single silver anklet wrapped just above the heel like punctuation. No bag. No jacket. No visible jewelry drama except for that lone glint. No effort to tone it down. Just walked in — exposed, maybe a little chaotic — like it wasn’t that big of a deal.
