Charlotte Dawson wore a shimmering red gown and purple gloves, channeling Jessica Rabbit at a fancy dress party in Blackpool in February 2026.
If you ask me, the number one rule of a fancy dress party is to commit to the theme. And that is exactly what Charlotte Dawson did for a party in Blackpool . This isn’t just a nod to a character; it’s a full-on transformation.
The entire look is a direct homage to Jessica Rabbit. She chose a strapless red gown with a classic sweetheart neckline and a dusting of subtle glitter that catches the light. The dress is gathered at the waist before falling into a skirt with a dramatic, thigh-high slit —a non-negotiable detail for this particular costume.
But what really sells the look are the accessories. The long, shiny satin opera gloves in a bold electric purple are the perfect, deliberate clash against the red. This is a great example of a public appearance where the styling is meant to be theatrical. I think the whole thing works because it leans into the cartoonish glamour instead of shying away from it. She completed the look with sparkling, pointed-toe pumps and large crystal drop earrings .
The best part? This isn’t trying to be a high-fashion interpretation. It’s an unapologetic, fun costume, and it’s executed perfectly for the occasion. It’s a fantastic celebrity event look that understands its own purpose.
To sum it up: she nailed the assignment.
Kaley Cuoco wore an oversized black blazer and baggy pants to the “All The President’s Men” benefit reading in Los Angeles, California.
Sometimes an all-black outfit can feel like a default setting, but Kaley Cuoco just showed how to make it a deliberate, interesting choice. For the staged benefit reading of “All The President’s Men” at Harmony Gold in Los Angeles , she went for a look that was all about playing with proportions.
The centerpiece is an oversized, double-breasted black blazer . It’s slouchy and relaxed but still has a sharpness thanks to the shoulders. She paired it with equally voluminous, wide-leg black pants that pool at the ankles over a pair of very chunky, lug-sole platform loafers . Underneath it all is just a simple black top , letting the silhouette do all the talking.
Here’s the thing: this kind of dramatic volume can be tricky. But I think the styling here is pitch-perfect for the occasion. The thick, black-framed eyeglasses and layered gold necklaces give the whole thing a smart, almost academic feel that’s perfect for a staged reading. This is a great example of a public appearance that balances comfort with a strong point of view.
If you ask me, the chunky shoes are the key to the whole outfit. A delicate heel would have been swallowed by all that fabric, but the heavy loafers ground the look and make it feel intentional.
It’s modern, a little bit bold, and completely confident.
Mona Fastvold attended ‘The Testament of Ann Lee’ gala screening in London wearing a striking red wool skirt suit with a sculpted jacket.
A perfectly tailored suit is always a good idea, and this look is a case in point. For the gala film screening of ‘The Testament of Ann Lee’ in London on February 06, 2026, director Mona Fastvold chose a designer outfit that was both classic and completely modern.
She wore a vibrant red skirt suit that felt like a vintage throwback done right. The ensemble, which looks to be made from a thick wool , featured a knee-length pencil skirt and a matching tailored jacket . The best part of this outfit is undoubtedly the jacket . It has a wide, rounded Peter Pan collar and a sharply cinched waist , creating a beautiful, sculptural shape. She wore it with just a hint of a black lace top peeking through.
I’ll say it: the shoes are an interesting and unexpected choice. Instead of classic pumps, she went with a pair of black pointed-toe flats with multiple thin straps crisscrossing over the foot. It’s a slightly quirky detail that adds a lot of personality and keeps the suit from feeling too formal or stuffy. This is a great piece of red carpet fashion because it shows confidence and a clear point of view.
The whole look works because of the incredible tailoring and that bold, uncompromising color. It’s a powerful choice for a director on her big night.
It’s sharp, sophisticated, and just a little bit different. I’m taking notes.
