Charlotte Hawkins wore a red and silver floral sequin mini dress with gold heels at the TV Choice Awards 2026 in London.
At the TV Choice Awards 2026 in London, Charlotte Hawkins stepped onto the carpet wearing a mini dress that felt built for a night out, not a slow-motion reveal. The piece is straight-cut, no frills, but fully dressed in high-shine floral sequins —reds, silvers, bronzes—pressed into a tight botanical grid across a sheer-neutral base. The effect? Immediate. Flickering. Someone dropped a disco ball into a flowerbed.
The silhouette isn’t asking for drama—it’s short, capped sleeves, no plumes, no excess fabric. But the surface work does all the talking. It’s not exactly subtle, but not jokey-camp either. More like: “Yes, I wore the one dress in the wardrobe that actually glimmers when I move.” There’s an ease to it. No visible jewelry overload, just a soft bracelet, manicured fingers, and hair relaxed in soft shoulder-skimming waves. Almost like Hawkins gave the glam team a 45-minute cap and told them to skip the contour palette.
The styling holds: gold pointed heels —patent finish—blunt, firm, and functional. Not sky-high stilettos. These won’t sink into carpet piles or wobble in photo calls. Smart.
In the broader sea of red carpet fashion , especially at a TV-centric event that leans cozy rather than couture, this kind of look hits a sweet spot—festive, unfussy, just enough flash to earn a camera pan.
It’s the kind of dress that chooses joy over polish, light over structure. And it works because it doesn’t beg for justification.
Katseye’s New York night after Fallon shows five members in coats, fur, leather, and casual streetwear.
After their appearance on The Tonight Show Starring Jimmy Fallon, Katseye were spotted heading back to their hotel in New York. The sidewalk was wet, barricades lined the street, headlights cutting through the night. Each member carried their own rhythm in clothes.
One walked in a long black coat, black pants, tan shoes. Two bags — a white-and-blue tote and a woven brown handbag — headphones draped over the side. Another followed in a black leather coat, jeans, pointed shoes, carrying a Fendi bag with its repeating “F” pattern.
A third chose a faux fur coat, light-colored, over a red top and cream pants. Sunglasses at night, green shoes, phone in hand. Behind her, someone in a hoodie with a can.
Then a quieter look: blue long-sleeve top, black drawstring pants, gray shoes. A puffer jacket carried under one arm, tote bag in the other. It felt more like travel gear than performance wear.
Finally, a cropped “I NY” tee under a black leather jacket with fur hood. Red athletic pants with stripes, beige boots slouched. Tote bag again, phone bright orange.
Together, the group didn’t dress for glamour. They dressed for movement. Coats, bags, sneakers, boots. A mix of casual grit and styled edges.
Denise van Outen wore a black textured high-neck mini dress and leather knee-high boots at the TV Choice Awards 2026.
At the TV Choice Awards 2026 in London, Denise van Outen arrived in a black outfit thick with texture and attitude. There’s something decisively nocturnal about the look— gothic-lite , if we’re giving it a name. The dress is sleeveless , high-neck , and layered in what looks like a brocade or jacquard fabric—dark with hints of metallic weave peeking through. The hemline is uneven and raw-edged, ending around mid-thigh. There’s no splashy embellishment, just controlled chaos in the fraying lace trims and broken symmetry.
She grounded it with over-the-knee black leather boots , matte and structured, adding heaviness to something that could’ve easily gone floaty or theatrical. A small black clutch with a quilted texture —not obviously branded but Chanel-adjacent in feel—anchors the accessories. On her wrist: a coiled mess of chunky stacked bracelets , metallic and tangled like overheard subway chatter.
What’s nice about this look is its refusal to overdress for the red carpet . It’s not “haute couture.” It doesn’t need to be. It’s fast—slightly off-kilter—and aware of its own contrast. You could call it biker-bar elegance if you needed a label. But really, it’s just a woman in control of her references.
There’s a softness in her platinum-blonde bob , pulled back but not stiff—stray wisps escaped around the ears. Makeup stays minimal—just a clean finish and a neutral lip. No drama, except in cut and boot.
The smart rebellion here is in choosing texture over shine, shadow over sparkle. It lands without screaming for attention.
