Charlotte Lawrence wore a grunge-glam sheer lace dress with leather corset detail at the 2026 GRAMMY Pre-Gala in Beverly Hills.
At the Pre-GRAMMY Gala & Salute to Industry Icons in Beverly Hills on January 31, Charlotte Lawrence made an entrance that whispered vintage rebellion with a twist of soft decay. Her look didn’t scream for attention — it let the fabric haunt the space around her.
The dress was an ultra-sheer lace slip , length falling straight to the floor, with the kind of raw finish that keeps threatening to unravel but never does. The ghostly white mesh was delicately webbed in floral embroidery, stretched tightly over a black bra-style corset bodice —leather, matte, spiked with silver studs at the neckline. Like lingerie tossed into a gothic daydream.
No lining. No underlayer. Just her, letting the light pass through where it could, without flinching.
Her hair was worn long and loose, center-parted, unstyled-but-obviously-styled — offsetting the delicacy of the dress with blunt realism. Black nails. No necklace. Eyes smoky and shadow-washed, mouth neutral.
It wasn’t graceful. It wasn’t neat.
Charlotte wore a look that didn’t ask to be understood — only noticed. And it was.
Bebe Rexha wore a lace corset dress with sheer tights, leopard sequins, and opera gloves at the 2026 GRAMMY Pre-Gala in Beverly Hills.
At the Pre-GRAMMY Gala & GRAMMY Salute to Industry Icons on January 31, Bebe Rexha made the red carpet feel like a retro cabaret fantasy — moody, gilded, and neck-deep in attitude.
She wore a body-hugging lace corset top , trimmed with scalloped edges and anchored by visible boning. The black lace glinted under the lights with hints of copper shimmer, matching the energy of her fitted sequined skirt , which sparkled in leopard-like scatter. The structure of the look — neckline dipped low, waist cinched brutally tight, silhouette unapologetically curvy — felt pulled from a backstage dressing room in 1947.
Over her shoulders, a cropped black faux fur wrap hovered, more gesture than coverage. On her legs — sheer lace tights , with the kind of pattern that belongs in magazine editorials from 2006. Black pointed stilettos finished the drama.
Accessories? Heavy gold chain, opera-length gloves with visible ruching, and a tilted black leather beret perched at an angle that said: blink and you’ll miss the mood.
Her platinum bob was razor-sharp. Makeup held its own — exaggerated brows, thick liner, matte bronzed lips. Nothing subtle, nothing apologetic.
If half the red carpet played it safe, Bebe came dressed like the closing number.
Olivia Rodrigo wore a minimalist champagne-toned silk dress and black heels to the UMG’s 2026 Music Is Universal Showcase in Los Angeles.
At Sir Lucian Grainge’s 2026 “Music Is Universal” Artist Showcase in Los Angeles on January 31, Olivia Rodrigo walked in dressed like a tune held on pause — quiet, slow to shimmer, but impossible to skip.
She wore a champagne-colored silk midi dress from Valentino, with a high neckline and no visible seams besides the ones that matter. It shifted with her posture — that slippery silk quality that looks like it’s melting but holds everything perfectly. The silhouette: clean. The energy: subtle. The hem dipped just below the knee, untouched by embellishment. No ruffle, no lining, no flare.
The light made the fabric hum — not bright, just soft refractions like brushing your hand across polished metal. Her shoes were thin black ankle-strap pumps. A safe choice, which, in this case, let the dress breathe.
Hair was glossy, parted to the side, no visible pins. Makeup muted and hazy — mauve cheeks, diffused liner, and a lip somewhere between burnt rose and nothing at all. Accessories? None worth noting, and that was the point.
This wasn’t a fashion moment meant to be dissected — it was a mood held still.
Red carpets glamorize noise. Olivia walked in wearing silence. And she made it visible.
