Charlotte Mellington wore a white off-the-shoulder textured gown at the Wuthering Heights film premiere in London on February 5, 2026.
There’s something kind of old-world about this—romantic, but not in a puff-sleeves-and-lace kind of way. More like: pulled from a dusty novel and cleaned up just enough to wear on a cold London night. Charlotte Mellington arrived at the Wuthering Heights premiere in a look that whispered instead of shouted.
It’s a proper off-the-shoulder white gown , with a wide folded neckline that keeps things crisp. The fabric? Definitely textured—something like a tiny floral appliqué repeated all over. Not too shiny, not too stiff. Just enough weight to hold shape without feeling heavy. What breaks the all-white spell is a tiny black velvet bow centered just below the collarbone. That tiny detail does a lot of lifting—it’s giving formality but also reads a little playful.
Now, that embroidered satin pouch . You can’t miss it. Drawstring, slightly old-school, with deep red and soft pink vine work that feels like it belongs in a forest ritual—if forest rituals had stylists. It’s delicate but not dainty, and I think it anchors the look. Jewelry is minimal— diamond-shaped studs , a few thin rings. Hair is what it is: parted, brushed, left long. No styling tricks. Which makes sense for the vibe.
I think what works best here is that she’s not trying to age up or lean into princess-core. It reads like someone who knows she’s at a big event but doesn’t want it to become costume. That’s hard to pull off.
To me? This look feels like frost on stone. Still, pale, quietly sharp.
Celeste wore a deconstructed off-shoulder outfit with a distressed grey skirt at the Wuthering Heights premiere in London, February 2026.
There’s a very specific kind of risk in wearing red carpet looks that feel like they were pulled out of a foggy attic. And somehow, Celeste made it work.
At the Wuthering Heights film premiere in London, she leaned fully into the chaos-romantic energy of the story with a twisted, almost costume-adjacent designer outfit that looked rough on purpose. The top is essentially a wooly charcoal cardigan —off-the-shoulder, almost slouching—and buttoned once in the middle to hold on. Paired with that is a storm-colored distressed skirt , long and worn, with a front slit and raw hem so frayed it nearly hits decay as a vibe. Stacked double leather belts , mismatched and cinched like they’ve been through something, break up the proportion and give it shape. It’s giving windblown torment, in a calculated way.
And the accessories ? Kept sharp. A metallic clutch , one glinting moment of modern polish. Dark peep-toe heels peek out from under the skirt, and there’s heaviness in that step. Her necklace is delicate—a contrast to the damage aesthetic of the clothes—and the messy bangs with damp texture are frankly perfect here. Not styled-to-death. Not pristine. Just weathered .
Here’s what I think: it works because it feels like a character, not a template. If she’d gone full glam here, it would’ve felt fake with this film. But this? This is commitment.
It’s not classically pretty. But it’s absolutely the right kind of weird for a fog-slicked red carpet appearance like this one.
Katherine Ryan wore a green patterned garment with dramatic sheer sleeves to the ‘Wuthering Heights’ film premiere in London, UK, on February 5, 2026.
While many opt for black or metallics on the red carpet , Katherine Ryan took a much more interesting route for the ‘Wuthering Heights’ film premiere in London . She chose a garment that felt like a direct, clever nod to the film’s famously moody and atmospheric setting.
The look is all about its unique pattern. From what’s visible, she’s wearing a high-necked, long-sleeved top or dress covered in a print that looks like a mix of camouflage and an abstract landscape. The colors are a rich palette of olive, mint green, brown, and black , evoking a sense of windswept, earthy terrain.
What I really love are the sleeves. They feature dramatic, puffy cuffs made from a sheer, darker version of the same pattern, which adds a bit of theatricality that’s perfect for a premiere. It’s a great piece of celebrity red carpet style because it feels both artistic and intentional.
If you ask me, this is thematic dressing done right. Instead of being literal, the organic, almost wild pattern captures the spirit of the story. It’s a smart, subtle choice that stands out in a sea of sequins.
This is a look that tells a story without screaming.
