Chase Sui Wonders wore a green strapless Balenciaga custom gown with Tiffany & Co. diamond jewelry at the Golden Globes Afterparty 2026.
Leaving the Chateau Marmont after the Golden Globes afterparty, Chase Sui Wonders looks caught between laughter and composure, that messy-perfect moment of post-event ease. She’s wearing a vivid emerald Balenciaga gown , strapless, with a heavy sculptural drape that gathers against one arm as she walks. The fabric reflects soft light from all directions–satin, maybe, but rich enough to look like metal in motion.
Her gold Tiffany & Co. Schlumberger jewelry catches at the neck and ears–a necklace of precise brilliance, earrings curled like flame. The contrast of the jewels against the green makes the look feel alive, cinematic almost. She clutches a gold phone and a handful of gathered fabric–the real-world choreography of couture outside controlled lighting.
Hair pulled back, skin warm from flashes hitting it every few seconds, she moves easily, smiling toward someone out of frame. Behind her, a rush of tuxedos and monochrome suits fills the doorway. The gown swishes against the concrete–pure contrast, couture meeting sidewalk without apology.
Jennifer Lawrence wore a custom Givenchy floral embroidered cut-out gown paired with diamond and gold jewelry for her Golden Globes 2026 photoshoot.
In soft studio light, Jennifer Lawrence stands against a pale backdrop that almost disappears into her skin tone. The custom Givenchy dress looks less like fabric, more like vines stitched into air–a sheer nude mesh layered with embroidered flowers and leaves in muted rose, ivory, and olive threads. It’s romantic but a little unsettling in how precise it is.
The gown curves low at the side, open around the waist and hip, fading into a translucent train littered with petals. Every inch feels measured–the embroidery climbing upward as if still growing. The sheer panels reveal more than they hide, yet the look somehow stays graceful rather than provocative.
Her hair falls long, straight with soft bangs, giving the whole thing that vintage 70s ease–less red carpet, more portrait. A diamond necklace , slim and deliberate, catches light sparingly. Two distinct rings–one angular from Yi Collection , another gentler glow by Alison Lou –add quiet punctuation.
What’s striking is the color harmony: nothing louder than her own complexion. That bare palette, the calmness of the pose. It’s femininity rendered as cool precision. The gown does half the talking; the rest, pure stillness.
Sofia Boutella appears in the January 2026 Lower Gulf edition of Marie Claire Arabia, photographed in two contrasting outfits that highlight motion, structure, and modern edge.
January 2026. Sofia Boutella on the rooftop, sky clear, mountains faint in the distance. A textured white outfit, fabric flowing, catching light. The cover headline reads “In Motion,” and it fits. The look is airy, almost weightless, yet sharp in its cut.
Another frame, another rhythm. Platinum hair cropped short, oversized dark blazer, wide trousers, white pointed shoes. Pose contemplative, hand to chin, eyes closed. The rooftop again, but mood shifted. Less movement, more stillness. The silhouette bold, heavy, almost architectural.
Her styling here: deliberate contrast. One outfit leaning into softness, fabric drifting, body framed by sky. The other grounded, oversized, blunt. Together they form a fashion spread stitched from opposites. A celebrity photoshoot that resists glamour excess, leaning instead into texture and shape.
The critic’s note: Boutella’s editorial wasn’t about spectacle. It was about fragments — fabric flowing, blazer heavy, shoes pointed. A styled shoot reframed into something tougher, more authentic.
Boutella’s dual looks read as high fashion minimalism with tension. The white outfit carried motion, while the dark blazer ensemble added grit. It’s the interplay between fluidity and structure that makes this magazine cover and editorial resonate as authentic.
