Chase Sui Wonders wore a tailored gray suit with wide-leg trousers and a simple diamond choker at the AFI Awards Luncheon 2026.
At the AFI Awards Luncheon in Beverly Hills on January 9 2026, Chase Sui Wonders arrived in a sharp yet quiet gray tailored suit. Minimal, strong-shouldered blazer, single button closure, paired with wide trousers skimming the heels. No blouse underneath, which gave the structured fabric a grown, almost sculptural presence. The texture looked matte — crisp wool finished with invisible confidence.
Her styling stayed as disciplined as the suit itself. Hair slicked back into a tidy center part. A slim diamond choker, the only shimmer. Nails painted coral, a small rebellion against grayscale formality. The overall red carpet fashion read somewhere between business armor and soft rebellion, calm but unmissable.
Nothing showy here — just proportion done right. Chase Sui Wonders turns tailoring into language, and tonight it speaks fluently.
Kathryn Hahn wore a Rabanne Embellished-Button Single-Breasted Blazer with a Rabanne Belt Zip Skirt and Roger Vivier Flowers Satin Pumps at the 2026 AFI Awards Luncheon.
Kathryn Hahn turned up at the AFI Awards Luncheon on January 9, 2026, at the Four Seasons Hotel in Beverly Hills, opting for a sleek black ensemble that cut through the usual red carpet flair—check out more celebrity red carpet moments for context. The look centers on a Rabanne Embellished-Button Single-Breasted Blazer, structured with those subtle button details that catch the light just enough, layered over a simple turtleneck. Below, the Rabanne Belt Zip Skirt hits at the knee with a front slit for a bit of movement, paired with sheer black tights and Roger Vivier Flowers Satin Pumps that keep things grounded and walkable. Hair pulled back in a no-fuss updo, makeup minimal—it’s all visible here, head to toe, no guesses needed.
This outfit lands in that quiet space where awards season meets everyday polish, nodding to a broader shift toward understated power dressing amid Hollywood’s ongoing push for authenticity. Hahn, fresh off roles that blend humor with depth, wears it like a uniform for the industry’s more reflective side—think less flash, more substance, as if signaling a moment when stars are dialing back the excess to focus on the work itself.
The tailoring here is sharp but not severe, with the blazer’s lines echoing Rabanne’s heritage of metallic edge softened into something wearable, though the skirt’s zip and belt add a faint industrial twist that feels a touch mismatched against the event’s luncheon vibe—polished, sure, but perhaps a missed chance for warmer textures to counter the cool formality. Still, it fits her evolving style, from quirky to composed, quietly asserting presence without shouting. In a sea of bolder gowns, this choice underscores how restraint can speak volumes about confidence in one’s craft.
Madeleine McGraw wore a red silk-satin gown with black velvet shoulder ties at the 2026 Astra Film Awards in Los Angeles.
At the 2026 Astra Film Awards in Los Angeles on January 9 2026, Madeleine McGraw appeared in a minimalist red gown that recalled old Hollywood without mimicry. The dress flowed downward in one uninterrupted line — narrow straps of black velvet tying at the shoulders, forming deliberate contrast against the glossy scarlet silk. It looked simple until you noticed the construction, the exactness of the seams around the waist.
Her hair, parted cleanly down the middle, framed a fresh, unforced expression. Makeup stayed light: muted rose lips, slight shimmer around the eyes. The absence of heavy jewelry gave the look more oxygen, leaving the gown to move freely with her. It is that uncluttered poise that makes the fabric breathe instead of cling.
