In a quiet moment for a Golden Globes photoshoot, Chase Sui Wonders wore a stunning emerald green gown, contrasting high glamour with a natural setting.
You see a lot of these pre-awards show photos. Usually in some sterile hotel suite, perfectly lit, feeling a bit like a hostage situation with better clothes. But this one feels different. It feels real. It’s Chase Sui Wonders on what looks like a simple wooden deck, with a gnarly old tree and some potted plants. The light is just normal afternoon sun, dappled and imperfect.
And then there’s the dress. A serious, capital-G Gown. The color is this deep, vibrant emerald green in a heavy satin that has real weight; you can just tell how it would feel. It’s a classic, almost old-school shape–cinched at the waist, a huge flowing skirt, and that dramatic, completely open back. There’s a tiny, simple bow sitting right at the base of her spine. It’s the kind of high fashion that’s meant for ballrooms and red carpets, but here it is, out in the open air. It’s a refreshing change from the usual flood of celebrity photos that all start to look the same.
This is what makes the whole thing work so well. Putting a piece of formal artifice in a natural, almost rustic setting doesn’t diminish the dress; it makes it breathe. It stops being a costume and becomes her choice. The look over her shoulder feels less like a pose and more like she was just caught in a thought. It’s the contradiction–the glamour of the gown against the simple reality of a backyard–that makes her seem so effortlessly confident. This isn’t about spectacle. It’s about a woman wearing a beautiful dress on a beautiful day.
The whole thing feels less like a photoshoot and more like a stolen, quiet afternoon.
Does a natural, unpolished setting make a formal gown feel more or less powerful?
Kate Middleton wore a striking red Alexander McQueen pantsuit to host England’s women’s rugby team at Windsor Castle, adding deeply personal jewelry for the occasion.
There’s a certain kind of power in wearing a single, unapologetic color. On January 15, 2026, Kate Middleton harnessed it fully. For her first solo engagement of the year, hosting England’s women’s rugby team–the “Red Roses”–at Windsor Castle, she selected a vibrant red Alexander McQueen pantsuit. It’s a bold, almost confrontational choice. The jacket, with its sharp shoulders and asymmetric wrap front, paired with wide-leg trousers, creates a silhouette that is all modern authority. It’s a look that says, simply, “I am here.” The suit is a masterclass in tailoring, but what makes it resonate is the context. This isn’t just about looking good for the cameras; a good pantsuit is practically armor for the working royal, a staple of modern celebrity style .
But look closer. Beyond the powerful suit, there are softer, more intimate stories being told. Around her neck is a delicate gold necklace from Auree London , centered with a single garnet. This isn’t just a random accessory. As noted by outlets like Marie Claire and Tatler , the garnet is not only her January birthstone–a nod to her 44th birthday just days prior–but also a stone said to symbolize inner strength and healing. The choice feels deeply intentional, especially coming just one day after the first anniversary of announcing her cancer remission. It’s a quiet, personal acknowledgment of a hard-won journey, a secret strength worn for herself amidst a public duty.
The outfit is a study in duality. The fiery red suit projects strength and pays homage to the victorious athletes she’s honoring. It’s public-facing and perfectly calibrated. Yet the garnet necklace, along with statement pearl earrings, pulls the focus inward. It’s a whisper of personal history against the shout of the suit. Royal biographer Robert Jobson told Hello! that Catherine is learning to pace herself, that her family and health come first. This outfit feels like a visual representation of that new philosophy. It’s the perfect uniform for a woman re-calibrating her public life–acknowledging her role with confident tailoring while keeping what’s truly precious close to her heart. The days of just powering through are done; this is strength with newfound wisdom.
Does the personal symbolism of the jewelry change how you perceive the power of the suit?
Florence Hunt wore a sculptural halter gown during her Elle behind-the-scenes photoshoot for the Bridgerton Premiere in January 2026.
In a quiet, intimate studio portrait moment , captured by Darren Gerrish for Elle ‘s behind-the-scenes shoot ahead of the Bridgerton premiere, Florence Hunt stands centered in a vintage elevator alcove, dressed in a halter-style gown covered top to toe in soft ivory disc appliqués. The garment reads as a sculpted sheath from a distance–close-up, it’s carefully chaotic. Each layered scallop catches shadow and light, disrupting the flat surface with rhythm and texture. Around her neck, a deep black ribbon-tie collar anchors the look with contrast, like punctuation at the top of a visual crescendo. Skin is bare, styling is spare–no visible jewelry, hair pulled back, makeup minimal. This is fashion holding its breath. It’s also unmistakably part of a current wave of editorial high fashion styling–less glam, more character.
As far as celebrity photoshoots go, this one keeps an unexpected tension: she’s pre-event yet oddly posed, framed like a swan in staging rather than a star mid-glow. That tension works.
Florence Hunt is not just a rising actress but also a low-key face of this moment’s softer iterations of modern feminine dressing–where detail leads over drama and everything rests on good bones.
