Chase Sui Wonders attended The Vulture Spot during the 2026 Sundance Film Festival in Park City, wearing a casual winter ensemble with leather and fur accents.
Wood-paneled backdrop, mountain chill in the air — the kind that pairs best with coffee and conversation. Chase Sui Wonders brought that mix of warmth and irony Sundance likes best. Unfussy, playful, a little retro.
She wears a black leather jacket with a slightly boxy fit, layered over a bright cobalt blue hoodie that pushes color into the muted winter palette. The contrast feels deliberate — utility and pop locked in one frame. On top, the detail that defines the look: a furry brown trapper hat , earflaps down, transforming practicality into near-performance art.
The lower half keeps the logic consistent — straight-cut black pants with a soft sheen that suggests leather or waxed fabric, tucked into flat black boots built for comfort not drama. Hands folded casually, she stands like she’s between takes or recounting a joke off camera.
Kiernan Shipka attended The Variety Studio at the 2026 Sundance Film Festival wearing a black velvet dress with a brown belt and heeled boots.
The white wall, bright logos, and warm carpet frame a calm confidence. Kiernan Shipka stands with practiced ease — part Sundance charm, part deliberate composure.
She wears a black velvet sleeveless dress , the material soft under the lights, catching slight texture around the skirt where lace and satin meet in shifting panels. Around her waist, a brown velvet belt tied off at one side with an ornate jeweled clasp — the old-world accent that keeps the modern silhouette from feeling too restrained. The hem falls mid-calf, skimming over black suede platform boots that bring a grounded finish to the look.
Her hair, auburn with a quiet gloss, frames her face in loose waves. Minimal jewelry: a gold pendant layered over a delicate chain, small hoops lightly catching flash. Her lips, a soft warm red, echo the carpet beneath her feet — warm, familiar, intentional.
Zainab Azizi wore a strapless black velvet gown adorned with mirror-like appliqué for the Send Help premiere in Hollywood on January 21, 2026.
Red carpet, gold typography, warm lights flashing across deep crimson walls. Zainab Azizi stood centered against them — balanced between grace and stillness, a quietly controlled look that refused excess.
Her strapless black velvet gown gleams in motion, soft fabric mapped with scattered mirrored embellishments that catch light like fragments of glass. The placement feels spontaneous yet patterned — concentrated near the neckline, thinning downward toward the hem. The silhouette stays classic, nipped slightly at the waist and falling into a full, clean drape. Beneath, a teasing detail — flashes of fuchsia satin heels peeking from the floor’s edge, a subtle rebellion under traditional elegance.
