Cheryl Hines wore a sleeveless black sequin gown with cutout sides and pointed heels to the Starry Starry Night Gala in Palm Desert.
At the 3rd Annual Starry Starry Night Gala in Palm Desert on January 31, Cheryl Hines showed up glowing—more reflective than glammed out, in the good way. Her dress caught every bit of overhead lighting without drowning in flash. Black sequins. Full length. Fitted but not clinging. A shimmering pencil shape.
The defining detail? Side cutouts , slashed horizontally at the ribs, connecting the deep-plunging neckline to the cinched waist by barely-there seams. Barely visible from some angles. All there from others. The neckline ran deep—a bold V softened by the curve of her open hairstyle, pin-straight with a flick of face-framing volume. Draped perfectly at shoulder-length.
In hand, a simple textured black clutch . No jewel clutch, no silver hard case, just something functional that didn’t need approval. Pointed black suede pumps completed the look, tone-matching the dress without competing with the fabric’s shine. The smile often outshined the sequins—and that’s saying something.
It was part low-key shimmer, part throwback mischief—and entirely hers.
Blac Chyna wore a sheer black halter gown with a train, lace boots, and sculpted waist to the 2026 Starry Starry Night Gala.
At the 3rd Annual Starry Starry Night Gala on January 31, Blac Chyna (now Angela White) turned the pink carpet into a steady line of stares. There was no color. No prints. Just shape, shadow, and slight sheen. A deep-cut black halter gown , sheer through the bodice, shimmer-beaded from neckline to drop waist. Horizontal pleats wrapped through the middle, cinched at the center by a metallic gold hardware ring — almost a belt, almost not.
The skirt flowed down and out, full-length, slit wide open at the front with enough fabric to fold, catch, and ripple. Texture was light—barely-there shimmer threads ran across diagonals, deep enough to break the lens under flash, but fine enough to silence it in shadows.
Underneath? Black lace ankle boots , pointed, fitted against sheer black tights. No peekaboo pump or naked foot. It was covered. Contained. Intentional. Her hair was sleek and long with a full razor-cut bang, brushing just above the lashes—something dramatic but not overly touched. Nails: sculpted chrome. Makeup: matte lips, soft whisper of blush, pointed brows, full lash. She didn’t gesture much, but the neckline handled the work.
It was all edge and hush—like a whisper made of metal.
Kelli Berglund wore a sheer pink halter dress with a ruched front and pointed pumps to Clarins’ Sugar & Shine Galentine’s event in Los Angeles.
At Clarins’ Sugar & Shine Galentine’s Affair in LA on January 29, Kelli Berglund stepped up in a dress that didn’t overcomplicate anything. It was simple. Soft. Almost like silk candy stretched into a halter. The dress was a bright sorbet pink—sheer enough to catch light, but not so thin it lost shape.
Cut low at the neckline, the halter top curved in with string ties that gathered at a ruched seam running vertical down the center . Clean edges. No bustle. A curve-hugging look that still felt breezy. The skirt portion grazed the floor, draping with ease, but offered a brief flash of skin at the hip—midriff cut-out, just on one side, stitched into the waistline like a shrug.
Her hair was slicked back, off the shoulders, tied into a neat bun with a perfect-nothing shine. No fuss. The skin spoke. Jewelry stayed minimal—thin bracelets, delicate earrings, barely there. Footwear? Subtle nude pointed-toe pumps , just peeking out under the hem. Nothing to distract.
The whole thing floated somewhere between laid-back LA and early-2000s Britney—blunt, warm, collapsed elegance.
