At the Julia Fox × David Bronze premiere in New York City on January 7 2026, Chiara Aurelia arrived in a look that felt deliberate yet unforced. She stood against black fabric drapery in a cropped taupe‑gray faux‑fur jacket — soft, thick, slightly undone around the cuffs. Underneath, a fitted black top tucked seamlessly into deep‑black trousers with a plush, almost suede‑like finish. Nothing extravagant, just quiet texture play.
Xochitl Gomez fronts Hot Topic’s Social Collision campaign in 2026, photographed in four distinct outfits blending retro grit with modern edge.
January 2026. Xochitl Gomez in front of vintage televisions, outfit sharp, cropped black top with collar, leather skirt zipped and buttoned, slit cutting through. Heels pointed, hair pulled back into a bun, silver accents glinting. The set plain white, retro machines stacked, contrast loud.
Another frame, another mood. Blue ruched crop top, black checkered jacket with chain details, pinstriped pants. One foot on a small TV, mouth open, expression raw. Energy spilling out, almost chaotic. The retro backdrop clashing with modern styling.
Third look, photo booth doorway. Navy top, red plaid skirt with slit, striped socks, boots heavy. Pose dramatic, leg extended, arms gripping the booth. Red and silver exterior, curtain pulled back. The setting playful, almost rebellious.
Fourth outfit, theater seats. Leopard print jacket pinned, cropped black top underneath, red velvet pants with safety pins. Shoes high‑heeled, hair styled with bangs. Pose relaxed, arm draped, legs crossed. The velvet backdrop echoing the pants, atmosphere bold but lived‑in.
This was a celebrity event look reframed into campaign grit. A fashion spread stitched from fragments — leather slit, plaid fold, velvet pin. A public appearance simulated in studio, leaning into nostalgia and edge.
The critic’s note: Gomez’s campaign wasn’t about glamour excess. It was about fragments — bun tight, chain loud, plaid sharp, velvet heavy. A front row fashion energy translated into brand imagery.
Sadie Sink wore The Frankie Shop Tina Faux Leather Trench Coat with a Prada Re‑Nylon Stud‑Embellished Bucket Bag and vintage Prada dress in New York City 2026.
January 8 2026. New York streets still cold from the morning, and Sadie Sink arrives at The Kelly Clarkson Show set glowing but grounded. The first thing seen — that long black trench sweeping around her legs, crisp and a little unruly in the wind. It’s The Frankie Shop Tina Faux Leather Trench Coat in Black , cinched loosely and catching light in folds. She carries the Prada Re‑Nylon Stud‑Embellished Bucket Bag , the metal dots flashing like little street lamps.
Beneath, just a glimpse of what appears to be a Prada vintage dress , short enough to vanish beneath the coat’s edge. She walks fast, laughing mid‑stride, nothing staged. The Dolce & Gabbana Spring 2001 Safety Pin‑Accented Ruched Black Leather Heels peek out, familiar Y2K sharpness meeting something casual and now. Her hair loose, untamed, like she ran a hand through it right before the flash.
